Westside Cowboy, a band hailing from Manchester, have recently become the acclaimed indie band of the city. An opinion which has now only been expedited by the release of new album ‘It Goes On’.
‘It Goes On’ is the kind of album that makes you fall in love with the beauty of music again. The melodies are concise and filled with Aoife Anson O’Connell’s unique vocal harmonies. The guitars sound fresh and warrant a modern touch. The album is an ode to feeling too young for the world but tired enough to know where you are.
The lyrics of ‘It Goes On’ don’t focus on being poetry; they don’t need to. They feel like an echo of the world, there is no grandiose meaning hidden between the words. They are exactly as they appear on the tin. It’s an honest expression from a band wanting to make something nice to listen to. It’s a clear, well-spoken album.
‘It Goes On’ is a marker of change for indie music in this decade. The fuzz and muffled sound of the rhythm section has moved to the bass while the guitar has become polished and melodic. The album holds its genre of alternative indie without trying to prove it. The drums maintain a soft percussion which works incredibly well with the driving bass. The guitars lead the build-ups and vocals accentuate in all the perfect places. All instruments play their part and converse with each other. It’s an album that entails a sense of togetherness.
The soft intro of ‘Kick Stones (The Boys)’ with the electric guitar, vocals providing a catchy melody and Aoife Anson O’Connell showing her voice in perfect detail. The drums iconic rolls and fills create a song that nearly requires clapping along to. It’s a big sound that feels like you’re in the room with the band and an audience.
Westside Cowboy have well and truly proven that they deserve every single one of their flowers within this album release. They have created a technically brilliant and creatively fantastic piece of art.
