The film, which explores the deeply unique experience of motherhood against the backdrop of an environmental crisis, needed a soundtrack that could aptly represent its contrast between both the grand and intimate human experiences. Meredith achieves this with aplomb, utilising electronics and flute to create an airy, flowing sonic landscape that perfectly complements the film’s themes.
In ‘Waterfall’, Meredith creates a distinct musical narrative that works in tandem with the film’s storyline. The track generates a celestial, accumulating sensation that subtly alludes to the underlying truth of the situation, instilling a sense of anticipation in the midst of turmoil.
Meredith’s choice to focus on a breath-focused sound world is particularly effective in capturing the film’s water connections. The result is a piece of music that feels fluid and alive, mirroring the ever-present threat of the flood waters in the film.
The soundtrack showcases Meredith’s wide-ranging musical capabilities, from her work in contemporary classical, techno, art pop and avant-garde rock. Her ability to defy categorisation is evident in every note of ‘Waterfall’, which serves as a compelling preview of what audiences can expect from the rest of the soundtrack.
‘Waterfall’ is a stunning piece of music that captures the essence of ‘The End We Start From’. Anna Meredith has once again demonstrated her ability to create a unique and captivating sound world, providing an immersive and emotionally resonant backdrop to this poignant film.