Genre (Copy): Punk Rock

      How the Lambrini Girls Evolved from Chaos to Call-to-Action

      How the Lambrini Girls Evolved from Chaos to Call-to-Action Having followed their journey for many years, watching the Lambrini Girls perform at the O2 Ritz last week felt like a defining moment. 12 December 2025 By Jessica Blissitt For a first-time follower, their aggressive orchestration and pounding punk riffs could be mistaken for scattered chaos, but if you listen a bit longer you’ll notice the lyricism holds a rightful anger towards social injustices that can make any bystander feel motivated to improve their small piece of the world. When every single person is clamouring for real change, chanting in line with Lunny’s lyrical likeness, it definitely feels unnaturally optimistic. Hopeful, almost. Formed by the formidable duo of vocalist Phoebe Lunny and guitarist Selina Macieira-Boşgelmez, this Brighton-based punk group could be described as a odd-bodied concoction of the Spice Girls, Panic Shack, and Le Tigre. Their following was built on this uncompromising moral clarity, but with the rise of more volatile social powers in recent years has left me doubtful. Could the Lambrini Girl’s classic style of mocking the powers that be, still possess the effectiveness it once did? The set immediately ripped into the classic anthems that cemented their fame over the past two years, like God’s Country and ‘Lads Lads Lads’ that stewed over the systemic and misogynistic rips  in british society. The energy on stage was matched only by the crucial crowd collaboration. Lunny consistently instigated the band’s customary call-and-response—a tradition I now recognized in my third review—fueling the back-and-forth energy of the show.From asking queer legends to stand up in ‘Help Me I’m Gay’ to maintaining a sustained rally of call-and-response in ‘Craig David’, the atmosphere transcended a typical punk show. In typical Lambrini Girls’ fashion, the mosh pit transformed into something from a Greek forum, where fans candidly encouraged to yell out about their experiences of harassment in their local music industry, prior to’‘Boys in the Band’ and continually reminded to pick anyone up who fell down during the mosh pit. Although the concert included many beloved traditions I had enjoyed during their Glastonbury sets, the music from their most recent album clearly demonstrated how their political punk had evolved in direct response to the UK’s recent, deepening polarisation. As their fame has grown, the Lambrini Girls appear to embrace their growing influence, spreading essential messages to a larger group, boycotting festivals and calling out anti-trans advocates.The Lambrini Girls’ commitment to leveraging their platform for change is evident, driving them definitively into the next, more influential stage of their musical journey. This political commitment has defined their current era of music, with the unapologetic aggression of ‘Cuntology 101’, and the searing critique of toxic masculinity found in ‘Big Dick Energy.’ Tracks like ‘Bad Apple’ remain brutally on the nose, using punchy, repetitive lyrics to indict deep-seated issues with the police force. Their sound is changing as their fame takes off, but fortunately, their key messages stay the same. For this musically vulnerable shift, I feel hopeful. It suggests their message will not only be heard by the multitudes, but will resonate deeply enough to provoke lasting social change. You Might Also Like Recent Posts

      New Single: Witch Fever “DEAD TO ME!”

      New Single: Witch Fever “DEAD TO ME!” Witch Fever, Manchester’s resident post punk quartet have just released their latest single since their debut album in 2022, Congregation. 22 March 2025 By Jamie Shovelin Currently Listening to: https://www.youtube.com/watch?v=EjIgde_TFBI This latest single “DEAD TO ME!” kicks off 2025 for the band with a bang. The single may sound familiar to fans of the band since they have been playing it live for quite sometime now, but the studio version is finally here and paired with a kickass music video. DEAD TO ME! is set to bring in the new era of music from the band while still connecting to their past music, “a reintroduction to what we have represented, and a good path leading to what’s to come.” When listening to the single I could hear inspiration from their earlier stuff, especially songs like ‘Reincarnate,’ while still managing to give new life to their sound. The song draws from religious trauma and anger from the situations we grew up in and is used as an “fuck you” to that past, Lyricist/vocalist Amy Walpole also admits she uses it to release anger towards anyone in her life she thinks deserves it when playing the song live. Amy said: “When I’m playing it live, there’s a bunch of other people I’m thinking about who are dead to me.” And with lyrics like “You got a glimpse of all your sin, Dead to me, dead to me” sung with such anger and power repeated in every chorus, who can blame her? The song heavily reflects on all the pent-up anger every girl has faced from the stereotypical expectations of how they should act; quiet, sweet, complacent, and cute. Whereas the song and music video are the exact opposite of that, its loud, messy, and grotesque, with imagery of maggots and “un-ladylike” acts, it perfectly encapsulates the emotions and truth behind these memories and situations. And it’s not just the vocals and lyrics that make this song such a powerhouse. The song starts with a simple bassline from bassist Alex Tompson and is built onto by guitarist Alisha Yarwood, the mix of distorted guitar and heavy bass adds to the anger of the song and how that emotion can mess with your head, add to that the powerful double bass drumming from Annabelle Joyce and it’s like your thoughts have been brought to life instrumentally. If this single is anything to go by for their new era of music, I am very eager for the next release and hope they continue building this new sound they have found in their DEAD TO ME! Era. You might also like ˗ˏˋ ★ ˎˊ˗ Recent Posts ⋆⭒˚.⋆

      ✩⋆.˚ Interview ⋆˚｡⋆✩: Twin Skeletons

      Twin Skeletons Debut EP “Is This What You Wanted?” ✩⋆.˚ Interview ⋆˚｡⋆✩: Twin Skeletons “I think sweat is definitely a word associated with our gigs” – an interview with Twin Skeletons about their new EP ‘Is This What You Wanted?’ 18.04.24 Words by Caitlin Taylor https://www.youtube.com/watch?v=r0X5uNIBl-0&list=OLAK5uy_mTLG3I0pCvOcInzxFUWpuulGY_QHhMGMk Twin Skeletons are a rock band who have been influenced by metal, punk, and even Y2K pop songs. They’re fresh off an EP release and a couple headline shows, starting to make waves across the UK and beyond. Earlier this month I sat down for a zoom call with them where we discussed their music, the atmosphere of their gigs, and the importance of grassroots venues.  I begin with a question that’s been on my mind since I first heard of the band: is their name a Fall Out Boy reference? “Ah,” says drummer Joe Gorfin, “Yeah, people keep picking up on this… We were actually originally called Decades when we were a cover band and sort of didn’t think it fit the vibe that well so I remember messaging James… going through our playlist looking at song titles and I saw that song… everyone seemed to like it and it kinda stuck so now it’s become the whole theme with all the music and the artwork as well. It’s a bit of a deeper cut. When I was 13/14 I was obsessed with Fall Out Boy.” He even reveals his snapchat username contains a reference to Fall Out Boy but they request I don’t reveal it so you’ll just have to speculate.  View this post on Instagram A post shared by 𝐓𝐖𝐈𝐍 𝐒𝐊𝐄𝐋𝐄𝐓𝐎𝐍𝐒 (@wearetwinskeletons)   In their previous life as a cover band, they remember playing many of the songs that inspire them now (“Muse, Royal Blood, Wolf Alice, bit of Paramore”) but also playing around with genre.  “We love a ‘pop goes rock’ cover,” says lead singer Phoebe Millard. ‘Umbrella’ by Rhianna and a metal version of ‘Toxic’ by Britney Spears are both specifically mentioned.  We move onto their EP release show that has just passed. It was their first ever headline show which they impressively managed to sell out.  “Best night of my life!” Says Phoebe. “It was so fun, just having a room full of people all singing the songs back to you… The first single we released ‘Deadweight’, when we played that as the last song, I did a sort of, like, sung a couple of lines and then got the crowd to sing it back to me… when everyone was singing it, it was just amazing!” James Millard – who is both Phoebe’s brother and the band’s guitarist – chimes in, “It was kind of surreal, as well, because we had like lights that were timed with the music and like, a proper sequenced walk on. And like Joe walked out first. And he leant back, put his arms up and everyone went mad. It felt like a real band.” Bassist Fred Tilbury nods along: “We all put a lot of work into it and just to see it pay off like it did was really sort of gratifying.” View this post on Instagram A post shared by 𝐓𝐖𝐈𝐍 𝐒𝐊𝐄𝐋𝐄𝐓𝐎𝐍𝐒 (@wearetwinskeletons)   Despite them doing a great job of explaining the energy of the gig, I ask if they can give us any more details about what they’re like onstage for those of us who haven’t had the chance to see them yet.  Joe starts: “Lots of energy, that’s the main thing… we don’t give people much time to take a break.” “Be prepared to get sweaty!” Phoebe adds, “It was so hot in that room.”  “I think sweat is definitely a word associated with our gigs,” James replies, “And dirty shoes, don’t wear nice shoes. I let them know that my favourite song on the EP was ‘Don’t Let It Be The End’ (which seems to catch Phoebe off guard as she audibly gasps) and ask for each of their favourites.  Both James and Phoebe settle on ‘Make Me’. “[It’s]  always been my favourite,” she explains, “just because it’s like the most experimental song with all the sort of more electronic stuff. And the sort of screaming, loved getting in the vocal booth in the studio and actually just being told to shriek like I’m getting murdered!” View this post on Instagram A post shared by 𝐓𝐖𝐈𝐍 𝐒𝐊𝐄𝐋𝐄𝐓𝐎𝐍𝐒 (@wearetwinskeletons)   “‘Deadweight’ and ‘What You Wanted’ were done ages before we started recording but ‘Make Me’ was kinda- we knew we had to finish it for recording. So it was kind of a challenge to get it done. And it went through three iterations, being three completely different songs. [It] started off being a groovy Queens of the Stone Age song. And then we wanted to keep the groovieness in the verses, but then we wanted a massive riff… and probably Joe will say, like, the drums for this one were really challenging to record, but they paid off.” James says. Joe explains further, “We basically recorded the symbols and the drums separately, to sort of get a better overall sound. So that’s yeah, quite confusing to try and do. But like the guys have said, it was fun to do something a bit different, sonically as well.” However he disagrees with them on his favourite song from the EP: “There’s something about ‘Deadweight’. It was the first one we wrote and released. And, yeah… I think we’re really happy with how it turned out. But also, I think, for me, ‘(Don’t) Let It Be The End’ has also got a bit of a special place, because I think that was the one that I probably wrote the most of out of all the songs. And that was quite fun to sort of experiment with stuff like orchestral elements and things like that.” Fred agrees with Joe, “It’s hard to choose, but I’d probably say ‘Deadweight’, just ‘cause I think I just love the chorus on it.

      ⋆｡ New Single Release ⋆｡: Yee Loi “Going Spare”

      ⋆｡ New Single Release ⋆｡: Yee Loi “Going Spare” Yee Loi, a dynamic rock duo hailing from the Wirral, England, composed of sisters Rose and Matilda, are turning up the volume with their latest single, ‘Going Spare’. Delving into personal territory, the track explores Matilda’s experience as the ‘spare’ child in the family dynamic. 07.03.24 Words by Emily Fletcher https://www.youtube.com/watch?v=gytw9yK143Y In a candid Instagram video, Matilda shares the complexities of being sandwiched between the revered eldest sibling, the only son, and the adored youngest, feeling overshadowed and underestimated. However, ‘Going Spare’ isn’t just a heartfelt reflection; it’s a clever play on words, tapping into British slang where ‘going spare’ means to erupt in anger. Matilda channels her frustration into a catchy anthem, blending personal narrative with universal themes of striving for recognition and acceptance from your family. Through driving rhythms and infectious melodies, the song resonates with anyone who’s ever felt overlooked or underestimated, particularly those who relate to the middle child experience. Yee Loi’s ‘Going Spare’ is more than just a rock hit; it’s a cathartic release wrapped in a rollicking tune that speaks to the human condition.     Rose, the counterpart to Matilda in the Yee Loi duo, sheds light on the creative process behind their newest song. She recounts how she crafted the track using the 12-string guitar she received as a Christmas gift. Through experimentation, Rose stumbled upon a catchy riff, which evolved into the verse of ‘Going Spare’. Drawing influence from the likes of George Harrison and The Byrds, she aimed to infuse the chorus with a heavier sound, adding depth and dimension to the composition. The song exudes a lively energy with its 2000s rock edge, perfectly complimented by the vocals. The single’s cover art even channels a distinctive 2000s rock aesthetic, radiating a rebellious and defiant vibe. The bold red hues juxtaposed with black and white elements create a striking visual impact, giving it that nostalgic feel. It’s a must-add to any playlist, and keep an eye on these talented sisters in the upcoming months.’Going Spare’ is available to stream on all music streaming platforms. View this post on Instagram A post shared by Yee Loi (@theyeeloi)   You Might Also Like

      ｡✯New Single Release✯: Jar Of Blind Flies “Not Your Baby”

      ｡✯New Single Release✯: Jar Of Blind Flies “Not Your Baby” Jar of Blind Flies have continued to maintain a tight grip on their local music scene, deservedly fixed in a top-podium position alongside Brighton’s growing hall of fame. 14.02.24 Words by Kristian Floate https://www.youtube.com/watch?v=bnCiaUJoEks After numerous live circuits across the UK in 2023, and consistent sell-out hometown appearances, Maddy (vocals), Jake (bass) and Marley (drums) have re-rooted back to their recorded work with a brand new anthem – ‘Not Your Baby’. As the first release from the Brighton-born trio since 2022, this is set to be an unbeatable valentines day treat! With cascading cymbal-heavy drum work intertwined with lovingly fuzz-kissed bass runs, Jar of Blind Flies have played homage to the grungier noise-laden punk fusions that have grown to define their sound. Flowing parallel to Maddy’s angelic harmonies, it’s this contrast that ties the trio together and sets them far apart from the rest, while offering a glimpse into a gritty 90’s nostalgia that underlines the trio’s influence. Each verse opens up playful call-and-response between Maddy and Marley, nodding to their earlier release ‘Crawl Back Inside’ and setting the tone for a chant-worthy live staple piece. ‘Not Your Baby’ Is a refreshing insight into a band that have honed in on their sound while simultaneously progressing to new, heavier terrain – something that these three blend seamlessly with reflective tear-jerkers such as ‘Dolly’ and mesmerising microtonal masterpieces like ‘Angels’, two tracks from 2022’s debut album ‘MÍÀ’. As early risers to the DIY revolution in Brighton, Jar of Blind Flies always had a natural flair for quality production and riveting live shows. The trio were quickly swooped up under the wing of Marshall, recording ‘Not Your Baby’ in a studio graced by the notable Kin Nun, Nova Twins and more! Bassist Jake Smith explains: ‘Recording at The Marshall studio was a whole new level for us. Going from the relatively DIY recording style of our early songs to recording in a 250-capacity amphitheatre with every bit of tech you could ever imagine was a Real culture shock. The way the recordings have come out is levels above what we could’ve hoped for’. The track is a collaborative effort, combining the forces of Tidalwave’s Alessandro Cogolo and Sam Allen in the production process. The unstoppable duo are a vital puzzle-piece to Brighton’s ever-diversifying music scene, and responsible for tracking, mixing and mastering tracks from emerging artists that have since propelled under the global spotlight (Lambrini Girls, Currls). Maddy, Marley and Jake have always emphasised the importance of these resources in their local music scene – especially one that has nurtured the talent of so many, and ‘Not Your Baby’ is no exception. With the trio firmly embedded in a flurry of noisy alt-rock sweetness, they’ve earnt the attention of fellow high-risers CLT DRP, supporting their hometown headline on 23rd March , and headlining Blondies showroom in London on May 2nd. ‘Not Your Baby’ will be released on February 28th, and after this exclusive first-listen – it’s set to be a soundtrack to 2024! View this post on Instagram A post shared by Jar Of Blind Flies (@jarofblindflies) You Might Also Like

      NEW SINGLE RELEASE – Gen And The Degenerates ‘Famous’

      NEW SINGLE RELEASE – Gen And The Degenerates ‘Famous’ British alt-punk outfit Gen and the Degenerates have announced their debut record Anti-Fun Propaganda alongside the release of new single ‘Famous’. 07.12.23 Words by Molly Gregson https://www.youtube.com/watch?v=dbGxyWmCQaQ The Degenerates have made a name for themselves on the British post-punk and alternative scene, building an equally raucous, socially conscious and degenerate audience. Now they’re gearing up for their biggest project to date, their debut full length album, Anti-Fun Propaganda out on the 23rd February, and with it they bring the latest in a series of satirical, writhing and explosive singles- ‘Famous’.   Gen and the Degenerates may appear to be manifesting further success with their recent single titles – ‘Famous’ follows up the release of similarly titled ‘BIG HIT SINGLE’ – but you only need to hear the opening lines of these amusingly obnoxious titles to see that they are darker diatribes to the culture of celebrity and industry.   ‘Famous’, as described by lead singer Genevieve ‘Gen’ Glynne-Reeves (she/they), “is a kind of poison pill disguised as a pop confection. It’s taking a satirical look at celebrity culture, materialism and where we draw our self worth from, but it’s masquerading as a sexy, unrequited love song”   The Degenerates have mastered the skill of delivering biting social commentary through vibrant punk anthems, but they also bring two conflicting thematic approaches, a particular warmth that arises out the hedonistic friendship of a band in their early 20s, and a darkness that comes when the vibrance of youth has been corrupted by the fraught nature of contemporary social issues.   Gen certainly embodies the fun and ferocity of the band. Their vocals on ‘Famous’, as well as her charismatic performance in its accompanying video make for an enchanting frontperson. But Gen and the Degenerates work as a friendship-driven collective.   This social aspect of their music looks to be prominent on Anti-Fun Propaganda, which they have described as “a coming-of-age story seeing the band find out who they are, and what they stand for. Late nights and early mornings, sexuality, gender politics and mortality, all while surviving your twenties in a volatile and confusing world fuelled by turmoil”.   Anti-Fun Propaganda will be released on the 23rd February via Marshall Records, produced and recorded by the renowned Ross Orton (Arctic Monkeys, Amyll and the Sniffers, The Kills)         You Might Also Like

      NEW SINGLE RELEASE -Venus Grrrls ‘Hex’

      NEW SINGLE RELEASE -Venus Grrrls ‘Hex’ 16.11.23 Words by James Humphreys-Goodall Heralding from the heart of West Yorkshire, Venus Grrrls are a riot grrrl inspired, altrock band that have set a sky-high standard for bands around the UK. https://www.youtube.com/watch?v=BKYxBqfi3Sw Released on Halloween, their aptly named single: “Hex,” has once again proven that Venus Grrrls are a force to be reckoned with when it comes to consistently producing and releasing quality, thought provoking anthems of empowerment. Having released “Lidocaine” and “Liar Liar” earlier in the year, both of which achieved critical acclaim such as: two Spotify editorial covers; a feature on Amazon Music’s “Breakthrough Rock and Fresh Rock,” and national radio play on BBC Radio 1 from Jack Saunders. It’s a near certainty that “Hex” will accelerate the band’s journey to destined stardom. “‘Hex” is an ode to womenkind, touching on the universal experience of harassment. In the landscape of Hex, there are consequences for such behaviour, and generates a reality where we take the power back for ourselves. We are scared, and we are frustrated with the tale as old as time; we all have a story when we shouldn’t.” – Grace Kelly, Lead Singer The track’s introduction consists of a driving, crunchy bass line which guides the listener to a heavy, dark rock sound. Lyrically, “Hex” follows riot grrrl themes. Throughout the track, GK’s vocals are extremely prominent, to the point where they steal the show. The track’s lead vocals combined with backing vocals lead to an audible experience that can only be described as harmonically perfect throughout the song’s duration. “Hex” proves once again that Venus Grrrls’ ability to maintain their authenticity, as well as their raw sound, accentuates them to be one of the shining stars in the UK’s modern day rock scene. The sheer energy produced by their instrumental prowess and feminine rage highlights each band member’s individual excellence. Hopefully, Venus Grrrls will continue to share their art with us for many years to come. At this moment in time, the world needs more music like theirs. For any further information regarding Venus Grrrls’ future releases and tour dates, click here.   You Might Also Like

      NEW SINGLE RELEASE – SPRINTS ‘Up and Comer’

      NEW SINGLE RELEASE – SPRINTS ‘Up and Comer’ 19.09.23 Words by Liv Winter Riot Grrrl Garage Punk – Dublin’s Up and Comers release new single ahead of debut album. Ahead of their highly anticipated first album debut, Dublin Punk-Grunge rockers SPRINTS dropped their newest single, Up and Comer. Due January next year, the album, ‘Letter To Self’,  boasts two singles currently released by the band, with Up and Comer being the most recent. The Irish four piece has gained reputation with their energetic live shows, and a steady flow of singles documents the band’s growth from their formation in 2019. Up and Comer is a raw, impassioned homage to punk music, echoing ‘Riot grrrl’, a subcultural movement that combines feminism, punk music, and politics. Featuring the tell-tale signs of a classic up-beat punk track, fast, distorted guitars and loud vocals from the band’s lead vocalist Karla Chubb. On the track, Karla had to say: “Up And Comer is a pretty dry take on a fear and self-consciousness that has been ruminating in me since I picked up an instrument. This innate fear that maybe I would always be ‘good for a girl’, but would I ever actually be great? It’s an invisible narrative that has been constructed by the doubts and negativity I’ve been fed by others, as well my own imposter syndrome.” The lyrics of the track take aim at the critique and limitations put upon the band, although received positively, it’s a lukewarm reception, and the band are demanding, through this forceful song, more recognition outside of just being good for an up and comer. The anger is heard and felt, and solidifies the punk genre with both lyrics and overall sound. SPRINTS will be hitting London on October 4th and their hometown of Dublin on October 6th, before embarking on a European Tour commencing January 5th, coinciding with their album release.  https://youtu.be/RAVgqbsw5NE You Might Also Like Dublin, New Releases, On the Rise, Post Punk, Punk Rock, Rock, Single, Sprints

      NEW SINGLE RELEASE – Beach Riot ‘Tramlines’

      NEW SINGLE RELEASE – BeachRiot ‘Tramlines’ BeachRiot Unleashes Their Energetic “Tramlines” Single, Redefining FuzzPop Words by Danni Gibbs 03.07.23 ‘BeachRiot’ are a Brighton based band that emerged on the New Wave music scene in 2017. Originally taking inspiration from 90s grunge and 70s punk their new style of “FuzzPop” has engulfed the musical environment and their new single ‘Tramlines’ encapsulates this. Now signed to Vallance Records, they have gained a reputation for their lively shows and original music that invites mosh pits and energy like no other.  ‘Tramlines’ begins with a strong isolated guitar that invites a percussion of drums and hazey vocals into an already grunge atmosphere. As the listener, you are then engulfed with layers of instrumental components that immerse you into the genre that is “Fuzzpop”. The steady tempo that builds into the heavy chorus is something I am definitely here for on the track and I encourage you to listen to this so you can share the same experience. The lyrical components introduces a slightly heavy subject matter whilst still retaining the heavy 90s grunge and 70s punk influences into the track.  “Go outside, for another long walk. Stay alive, we talk talk talk. Show your cards. And playing your part ‘cos my tramlines go straight to her heart“  You can check out BeachRiot’s new single “Tramlines” on our JULY IN MUSIC Playlist on spotify.