Artist Playlist: Just For Fun

Female singer performing live on stage with microphone and neon sign background.

Artist Playlist : Just For Fun Electro Pop,Electronic,Hyperpop,Pop Music from/selected by/inspired by Just For Fun – with help from the TNAM team. Find our original interview from Pitchfork festival over on our Instagram! TNAM.UK Playlist {{ reviewsTotal }}{{ options.labels.singularReviewCountLabel }} {{ reviewsTotal }}{{ options.labels.pluralReviewCountLabel }} {{ options.labels.newReviewButton }} {{ userData.canReview.message }} You Might Also Like Recent Posts

Alt+Electronic UK #2

Metallic spiked circular sculpture with intricate design and sharp points.

Alt+Electronic UK #2 A snapshot of contemporary UK-based artists working at the crossover of alternative and electronic music, not quite one or the other. Artists influenced by post-internet culture, bedroom production/DIY aesthetics, and the cross-pollination between pop, electronic, and art-music worlds. People’s Playlist by Eli Callingham {{ reviewsTotal }}{{ options.labels.singularReviewCountLabel }} {{ reviewsTotal }}{{ options.labels.pluralReviewCountLabel }} {{ options.labels.newReviewButton }} {{ userData.canReview.message }} You Might Also Like Recent Posts

Alt+Electronic UK

Abstract floral design with swirling motion and vibrant blue and white flowers.

Alt+Electronic UK (01/26) A snapshot of contemporary UK-based artists working at the crossover of alternative and electronic music, not quite one or the other. Artists influenced by post-internet culture, bedroom production/DIY aesthetics, and the cross-pollination between pop, electronic, and art-music worlds. People’s Playlist by Eli Callingham {{ reviewsTotal }}{{ options.labels.singularReviewCountLabel }} {{ reviewsTotal }}{{ options.labels.pluralReviewCountLabel }} {{ options.labels.newReviewButton }} {{ userData.canReview.message }} You Might Also Like Recent Posts

UK dark wave? <3

Fun fair crowd at TNAM.UK featuring rides and entertainment for visitors.

UK dark wave? <3 Yes yes yes yes yes. Songs that sound like they were made in caves. People’s Playlist by Isla Mcrobie Alternative,Dark Wave,Electro Pop,Electronic {{ reviewsTotal }}{{ options.labels.singularReviewCountLabel }} {{ reviewsTotal }}{{ options.labels.pluralReviewCountLabel }} {{ options.labels.newReviewButton }} {{ userData.canReview.message }} You Might Also Like Recent Posts

London Underground

Vivid illustration of elderly men and a young girl on London Underground, showcasing urban art and d.

London Underground A beginners guide to artists who make underground electronic (or electronic adjacent) music in the UK, mainly London. It’s the revival of indie sleaze, or whatever you want to call it. Your mum will probably ask you to turn it off, we say turn it up. TNAM.UK playlists by: Caitlin Taylor Instagram Electro Pop,Electronic,Hyperpop {{ reviewsTotal }}{{ options.labels.singularReviewCountLabel }} {{ reviewsTotal }}{{ options.labels.pluralReviewCountLabel }} {{ options.labels.newReviewButton }} {{ userData.canReview.message }} You Might Also Like Recent Posts

LIDO feat. Charlie XCX 2025 Review – Is Brat Summer Over?

LIDO feat. Charlie XCX 2025 Review – Is Brat Summer Over? This was the day most people seemed hyped for in the LIDO lineup: Charli XCX was curating her own ‘partygirl’ festival on a Saturday in Victoria Park.  By Caitlin Taylor It was sold out, incredibly busy and once again, way way too hot. At times, it felt reminiscent of an immersive theatre experience – many of the attendees were kitted in neon green clothing with various phrases in the classic brat font. We kept crossing paths with one group in particular, who were all wearing matching neon green mini bob wigs. It was truly surreal.  We knew to avoid the Club stage after Outbreak the day previously, and it was a good idea as here the queues were even longer. It’s a shame, as we were excited to catch Rose Gray, who’s having a super interesting rise to fame at the moment, but we weren’t willing to miss any of the artists in a queue that looked like it would take an hour.   Stage 2 was our favourite of the day. We’d kept pretty far from at Outbreak the day before as I bruise too easily to handle a mosh pit. Our first taste was Magdalena Bay, who could honestly be considered one of THE bands of 2024. Their album Imaginal Disk was a smash hit, and it was a treat to see them live despite the fact that we were so far back they looked like little insects to us, but to have such a large audience at such an early slot is to be admired.  070 Shake was next for us, and it’s rare to see someone so chill while performing on a festival’s main stage. She kept a smile on her face, strolling down the runway, joking around with the crowd. “I see you girl!” She shouted to everyone who got on someone else’s shoulders, encouraging others to do the same. She ended with a modified version of ‘Ghost Town’, which seemed to have the entire crowd singing along. Throwing her microphone into the crowd, she allowed her band to close out. Without exaggerating, it’s one of the best experiences I’ve had at a festival.  After that was Kelly Lee Owens, a producer and electronic musician from Wales, a recent discovery for us, but one who is now firmly on our playlists. She held the crowd in the palm of her hand, equally as impressive vocally and on her synth. I would’ve been perfectly happy dancing to her all day; she managed to turn a circus tent in Victoria Park into a sweaty underground club.  Over on the main stage, The Japanese House provided a much more relaxed moment in the day. It was a good time to grab some food and sit a little further back while listening to some gorgeous dreampop. She mentions that she is properly performing on home turf here, as she lived close enough to cycle. The next day, while scrolling TikTok, I discovered there was some drama about overcrowding during The Dare, meaning that half the crowd was stopped from coming in by security. However, as we’d arrived about 15 minutes early to his set, we remained blissfully unaware of this as we stood near the front of the stage. People were jumping up and down, getting off, eyes wide, singing along. His heavier songs hit better than his slower ones, which is to be expected at a ‘partygirl’ festival. ‘It girl’ of the last couple of years, PinkPantheress, appeared at the end to sing her new ‘American Boy’ inspired hit ‘Stateside’, which The Dare produced. He kindly held her bag during her set – what a gentleman. We stayed firmly planted here for Bladee, who came onto the stage with his hood up and a massive flag in his hand. As someone who’s been surrounded by drainers since moving to London, it felt a little bizarre that many had no idea who he was, but to loyal fans, it was clear this was a special moment as he closed his set by bringing out Ecco2k to perform their new song. And then finally, of course, Charli XCX was on the main stage. Providing a theatrical performance full of flashy visuals, choreographed dance pieces and even rain, the crowd were fixated on her every move. It became clear that most were newer fans as the audience was surprisingly quiet during her older hit ‘Vroom Vroom’, but the energy was at an all-time high during her brat tracks and the Barbie movie hit ‘Speed Drive’. She brought AG Cook and Bladee out as guests, and once again, the crowd seemed a little lost. We ended up having to explain who they were to the group next to us, but hopefully, it does something to spread hyperpop awareness to the masses.  As she’s done previously, she finished by allowing her visuals to speak for her. “I want this to last forever”, they read, “it wasn’t just a summer thing… it’s a forever thing xx” and so far, with Charli’s shows only rising in popularity, it seems like that may be the case. 

OUTBREAK 2025 Review – Hot Sticky Hardcore

OUTBREAK 2025 Review – Hot Sticky Hardcore It was a swelteringly hot Friday, not ideal weather for heavy cotton band shirts and mosh pits, but that wasn’t going to deter any of the attendees of Outbreak festival.  2 July 2025 By Caitlin Taylor Momma was the first band we encountered on the main stage. They’re straight out of a 00s teen film soundtrack, accentuated by the duo’s strong American twang. Like most of the American acts who came over for the day, they were shocked by the heat but still managed to provide a fun set. Fleshwater followed, more on the hardcore side, with heavy guitars and bold vocals. “I want the biggest circle in the world!’ yelled a member of the band, which the British audience were initially hesitant to do, maybe due to the heat, but they eventually caught the drift. The one criticism we really had was the capacity of The Club Stage, as we didn’t manage to get in at all. We were incredibly keen to catch both feeble little horse and Jane Remover, but due to being faced with a queue that seemed to curl back around itself endlessly, we ended up just standing near the entrance and trying desperately to catch what we could.  Next, we had Julie, who was our highlight of the day. They began by playing a video of someone playing the cello, which broke down as the band walked onstage. We likened them to Bar Italia’s little American cousins, lacking the nonchalance of the European indie darlings, which isn’t a negative. At times reminiscent of Nirvana, their drum work was particularly impressive. Definitely one to check out.  Closing out there was a characteristically excellent set from lo-fi indie king Alex G, which featured some deep cuts and mental instrumentation we were big fans of, followed by Turnstile, a band who’ve blown up massively over the past year. A momentous ending full of moshing and jumping around, insane that most had energy after the 30-degree temperatures.  It was an impressive London launch for Outbreak, with a really great selection of both hardcore and shoegaze artists. We’re already excited for next year! You might also like ˗ˏˋ ★ ˎˊ˗ Recent Posts ⋆⭒˚.⋆

LIDO 2025 – Weekend 2 Ones to Watch

OUTBREAK 2025 Ones to Watch – LIDO Weekend 2 Weekend one was a success, and weekend two looks to be even greater. 15 June 2025 By Caitlin Taylor We missed LIDO weekend one, don’t remind us. The Jamie XX and Skrillex B2B out the sound desk and Massive Attack’s statements have been the talk of the town for the last week so there was no way we were missing this coming weekend. With 3 days of drastically different sounds, there’s truly something here for everyone. FRIDAY 13th JUNE – OUTBREAK Kumo 99  2:35pm @ Stage 2 Starting off strong, Kumo 99 are the first to take the stage at Outbreak. They’re high energy, a brilliant blend of punk and electronic. Check out their Coachella set from earlier this year if you want a taster. My only complaint is that they’re on way too early, but you can catch them later at Colour Factory too. feeble little horse 3:40pm @ The Club If you’ve not heard of this indie rock group, they just gave a banging performance at Primavera and have been backed by So Young so you know they’re cool. Perfect for fans of Pavement or Pixies. Jane Remover 4:40pm @ The Club Hyper and intense, Jane’s music is perfect to get you ready for the hardcore stuff happening later on. If you’ve been enjoying 2Hollis’s recent releases, this is one for you. SATURDAY 14th JUNE – PARTY GIRL The Japanese House 5:45pm @ Main Stage A veteran of queer indie music, she hit the mainstream last year after appearing as a feature on Charli XCX’s Brat remix album and collaborating with Fred Again. Her solo stuff is where she truly shines though, give her last album ‘In The End It Always Does’ a proper listen. Rose Gray 6pm @ The Club Well on her way to being the new it girl, Rose Gray just released her debut album this past January. She’s 2025’s answer to Kylie Minogue with super fun, catchy beats that’ll get stuck in your head. Not one to miss. SUNDAY 15th JUNE Pip Millett I have loved Pip Millett since 2018, she’s truly a special artist. Smooth RnB with cheeky lyrics, her latest single ‘Tell Jimmy I’m Fine’ is a perfect example. Clementine Douglas A truly brilliant dance vocalist who’s featured on tracks with juggernauts including David Guetta, Calvin Harris, and Chase and Status. If you love a strong voice and catchy hooks, Clementine is definitely one to add to your must-sees. Wasia Project This sibling duo started making music in their teens and have now grown as artists, making thoughtful and delicate tracks with a focus on instrumentation. They’re still early in their careers, and one to check out if you’re a fan of music that feels genuine. You might also like ˗ˏˋ ★ ˎˊ˗ Recent Posts ⋆⭒˚.⋆

Our CROSS THE TRACKS 2025 Top Picks:

Our CROSS THE TRACKS 2025 Top Picks: Can’t wait for Cross The Tracks on Sunday? These are our must-sees. By Caitlin Taylor I still count Cross the Tracks 2022 as maybe my favourite festival experience ever so here’s hoping this year is more of the same. I’m not sure where else you’ll find a lineup this talented – Ezra Collective, Jordan Rakei, Michael Kiwanuka and Free Nationals all in one place. We’ve picked out a few of our favourites you should give a listen to before the headliners, maybe you’ll find a few new favorites.  ESSENCE MARTINS – 12:05 pm @ The Caboose Stage We were early fans of Essence Martins here at TNAM, and she’s only grown greater as time has progressed. Her new album Sleeping On It showcases her talent as a singer/songwriter with relatable lyrics that’ll leave you reminiscing about your last breakup. Delicate and peaceful, perfect for a Sunday afternoon. FABIANA PALLADINO – 2:20 pm @ Locomotion Stage  We’re all for bringing disco back in 2025, and it’s something Fabiana Palladino has been doing over the past year. Her critically acclaimed self-titled album set her apart from your typical pop act with funky beats and smooth vocals. We caught her last year at RALLY, and again at All Points East where she performed with the legendary Jai Paul, a regular collaborator of hers.  NIA SMITH – 2:15 pm @ D-Railed Stage Nia Smith is perfect for a festival like Cross The Tracks. A singer/songwriter with a reggae influence and strong soul sound, she seems moments away from blowing up to Jorja Smith levels. Last year she performed at SZA’s Hyde Park takeover despite only having released her first song on streaming services a month before. Catch her before she hits the main stage.  JGRREY – 1:30 pm @ Mainline Stage JGrrey is one of my absolute personal favourites. Her first release For Keeps in 2019 is still a regular play and her newest album If Not Now? Is equally as good. She’s still a leading force in the London RnB scene despite putting nothing on streaming for the past 2 years. Hopefully, her appearance at Cross The Tracks will set the stage for some new releases..?   LULU. – 12:30 pm @ Mainline Stage LULU. (the full stop is intentional!) is another artist who only started releasing music very recently but is already selling out headline shows. Her music draws inspiration from her childhood growing up in the church and her love for afrobeats, the perfect music to dance to in the sun with your friends. It’s rare to find music that feels so genuine and uplifting – we’re excited to see her on stage! You might also like ˗ˏˋ ★ ˎˊ˗ Recent Posts ⋆⭒˚.⋆

New Single: Dalia ‘Hanging by a Thread’

New Single: Dalia ‘Hanging by a Thread’ London based singer Dalia is back with the single ‘Hanging by a Thread’ just in time for summer. The track is an exploration of self discovery, realisation, and emotional vulnerability.  By Natasha Judge Currently Listening to: ‘Hanging By a Thread’ is an experimental track that starts with a voice note, and then weaves this into the song as a motif throughout. Speaking on the tune, Dalia expressed that the track was written “during a period of intense personal turmoil”, as she noted that she was forced to confront repressed emotions. She said: “Hanging By a Thread chronicles the breakdown of a relationship weighed down by unhealed wounds.” The track is a pop ballad that celebrates and recognises the strength in vulnerability and emphasises the empowerment that can come from owning your tears and subsequent emotions.  The song was a result of Dalia realising she was still tied to a past relationship whilst with a new love, and the fallout of the unresolved connection. ‘Hanging by a Thread’ unravels her inner monologue of feeling lost, confused and guilty.  Musically, the melancholy lyrics juxtapose with the rhythmic base of the tune. There is a build-up of guitar strumming, paired well with percussion to provide an electric feel to the single by the end of the track. This pop track is an excellent portrayal of self-reflection, and coming of age, and the catchy chorus makes us eager to hear more of this new sound from Dalia.  Dalia’s tracks would be well suited to fans of Holly Humberstone, Phoebe Bridgers and Gracie Abrams. You might also like ˗ˏˋ ★ ˎˊ˗ Recent Posts ⋆⭒˚.⋆