‘*•.Debut Album Release ♡*’: Lime Garden ‘One More Thing’
Image by Jono White ‘*•.Debut Album Release ♡*’: Lime Garden ‘One More Thing’ Lime Garden’s long-anticipated debut album ‘One More Thing’ is a reflection of the bands ever-growing maturity – a timeless staple piece that strings years of songwriting into a tightly-wrapped package of passion and delicacy. 16.02.24 Words by Kristian Floate https://www.youtube.com/watch?v=YlDHewTO7Zc Chloe Howard (vocals), Tippi Morgan (bass), Leila Deeley (guitar) and Annabel Whittle (drums) have collaborated since the age of 16, ploughing their way through defining debut ‘Surf ‘N’ Turf’ amongst their expansive alt-rock regalia to bring us a refreshed insight into the world of Lime Garden. There’s one thing for certain, they’ve come a long way since the ‘Lime’ days! With an exclusive first-listen to the entirety of ‘One More Thing’, we are transported across punchy driving basslines, reverb -saturated harmonies, raw acoustic authenticity, pulsing synth flavour and crisp guitar virtuosity. This fusion of parallels infuses each track with their own unique charm, while nodding to the coherent style that Lime Garden have pioneered since day one. One of the first instalments from the upcoming LP is ‘I Want To Be You’, a stripped ballad that explores themes of true obsession around the catchline ‘I want to be you so bad’. Opening with a hi-hat-heavy drum machine pattern, and intertwined guitar and vocal melodies, the track doesn’t overload the listener with the bells and whistles and keeps things simple yet impressionable. Released in November as the third taster of the full release, this single will feature as a midpoint to the album at track no.6. With ‘Nepotism (baby)’ reaching the public domain in July 2023, suspicion grew on the Brighton quartet’s next move – our prayers were quickly answered upon the release of ‘Love Song’ in September, alongside the announcement of the full album. ‘Love Song’ is a striking opener, with disjointed guitar runs and pulsing synths flowing seamlessly on a bed of silky vocal melodies. The surge in production value across LG’s newest tracks hasn’t gone unnoticed – and the alt-rockers can be seen incorporating more complexity than ever before. With phaser-drowned bass and autotuned playfulness across the track ‘Floor’, reversed keys in ‘Pine’ and guttural synth foundations across ‘It’, Lime Garden are dropping essences of new technicality from start to finish, yet keeping their stripped simplicity across ‘Looking’ – where delicate vocal-centred harmonies and relatable lyricism are blended effortlessly on a bed of tender acoustic guitar strums. View this post on Instagram A post shared by Lime Garden (@limegardenband) ‘Popstar’ is a personal favourite, with more relatable lyricism and infectious catchiness that first appeared in Lime Garden’s earlier releases ‘Marbles’ and ‘Clockwork’: ‘I’ve tried all my family, but no one has much to spare, so it looks like it’s up to me to work until despair – I don’t like my job’ The clear storytelling of an aspiring popstar, this track highlights the difficulties of holding down a part time job while simultaneously maintaining your music career – well that’s my take! The track has inspired the design of t-shirts available to buy in exclusive merch bundles here. With an exciting string of dates announced across the UK & EU, intimate Instores, and limited edition vinyl (who knew ‘cornetto vinyl’ was an option?) – Lime Garden’s 2024 is off to a flying start! ‘One More Thing’ is out today with So Young Records You Might Also Like
｡❀❀E-Chat❀❀: Lime Garden
｡❀❀E-Chat❀❀: Lime Garden Lime Garden releases their debut album ‘One More Thing’ tomorrow, and I’m sitting on a call with Chloe Howard (vocals and guitar), and Tippi Morgan (bass), who are letting me know that Leila Deeley (guitar), will be joining later but they warn me that there’s a decent chance she’s fallen asleep. 15.02.24 Caitlin Taylor https://www.youtube.com/watch?v=B64g_X1rUpM It’s been a massive year for the band who’ve done everything from touring with Bombay Bicycle Club to playing at Glastonbury but 2024 is set to be even more exciting. We’ve followed them pretty religiously from the start, patiently waiting for each single release, so I was happy to learn during our call that they’re very funny women who are incredibly easy to talk to. Throughout our talk it was clear that they’d gone above and beyond to stay true to themselves and that authenticity is vital to them as a band. It’s something that’s obvious when listening to the album and although at points they experiment instrumentally, their lyrics remain sincere and relatable (keep an eye out for our review coming soon). We discussed favourite songs, band names and, of course, world domination. Your first big album release is literally just round the corner which is incredibly exciting, how are you feeling about it? C – Every emotion you can imagine T– But I think mostly now excitement because we’ve been sat on it for…? C – Just under a year T – Yeah, so I’m excited to just get it out there C – Get it out in the world! T – Obviously I’m filled with anxiety, and I have dreams about it all the time C – Yeah, me too. T – But I am just really excited to get it out and for people to hear. C – It’s gonna be crazy. I’ve been lucky enough to already hear the album and I loved it. It was very good, well done. But do you have a favourite song from it? Or that you were excited for people to hear? C – I was most excited about Mother. I just think it was a topic that was kind of deep, something that we haven’t really spoken about before. T – I’m really excited to play Floor. C – Yes, that’s so true actually! T – And see what the reaction is. Because it’s just not like anything else on the album, it’s not like anything we’ve tried to do before. And I’m excited to see how it slots in the set, how it goes down. View this post on Instagram A post shared by DIY (@diymagazine) Did you have a theme or intention with this album while writing it? C – We never set out to have a specific theme or vibe for the album, it just kind of ended up being what it was. The songwriting took a bit of a turn in the progress of the band and I think that I started using it as journaling almost. It just… bleh on the page, like this [Chloe mimics vomiting]. In the end it became this coming of age thing but it was never set out to be that. T – But I think it encapsulates really well being in your 20s, especially getting to mid to late 20s, growing up and figuring stuff out. And also knowing that you don’t have everything figured out just because you’re in your 20s. Looking back, what advice would you have given yourselves when you were starting out about 4 years ago now you’ve hit this milestone? C – I feel like I’ve achieved so many things I’ve dreamt of in my life and I hope to continue on bigger levels but everything happens in ways you won’t expect, is what I would tell myself. I would say to myself you’re gonna do it but in a way you just wouldn’t have imagined. T – And not to get bogged down by being let down by things. Stuff not going exactly how you envision it doesn’t mean it isn’t ever gonna happen, it just means it’s gonna happen in a different way. C – I feel like even everything stupid we’ve done, as children, has been for the good, the greater good. Here we had a slight pause as Leila’s name appeared in the call and we waited for her video to load. After getting her up to speed, Charlotte and Tippi couldn’t hide their amusement as she gave almost the same answer as them to the question. They pointed at the screen open mouthed in silence as she answered. Lime Garden’s Debut Album “One More Thing” L – Honestly this is going to sound so cheesy but I think that every single mistake that we made led us to the sweetness of finding us. And I’m so glad that we did it completely ourselves. C&T – Didn’t we just say this! L – Aw, that’s so cute! T – I guess it must be worth something then. L – That means that all our decisions now are completely unique to us and we’re able to have full confidence in that. I’m chuffed that we did that. You’re part of our Sounds of 2024 list where our writers voted for which artists they’re most excited about. Your career is moving at an admirable rate but do you have any particular goals or aspirations for the next year or so? C – We have endless goals. We’ve always said sky’s the limit… What are the main ones? A Brit award, surely. T – Sell a million records. L – No, I’ve got five million!C – Play Glastonbury again that would be cool… and Jools Holland! Really want Jools Holland! And a KEXP session would just be the cherry on top as well. Only small things! You’re previously discussed your musical references but what about your visual ones? You’re developing a really interesting visual style with your videos
✧E-Chat✧✉: Night Tapes
“We all lived in the same house a few years back and had our own projects happening, but living together jams started happening organically and Night Tapes- which was us in the evenings after work recording the vibe on cassette tapes crept up on us. “ ✧E-Chat✧✉: Night Tapes Forged in the afterhours and rich with the sounds and stories of the city, London-based band, Night Tapes’ craft a serene concoction of colourful layers and woozy melodies, playing stage to the bands stream of consciousness. ❤➤➤ 01.02.24 Words by Amalia Castle https://www.youtube.com/watch?v=mEf0xM0FIg0 The trio rounded off the year with their vibrant single ‘Drifting’, an atmospheric soundscape that contrasts the track’s bright qualities with naked sentiments on new-age romanticism. Lead singer Iiris Vesik, tells TNAM about the bands inspirations, the magic of her home town in Tallinn, the exciting process of creating ‘Drifting’ and what’s coming up for Night Tapes in 2024 so far. Hey guys, how are you! What have you been getting up to since the release of your most recent single ‘drifting’? Heioo! Iiris here! We’re good! The start of the year has been emotionally slow/ I was ill a couple of times and in a general bear mood. But since the new moon things have started moving again & drifting seems to be picking up speed which is really nice to see/read. I probably should stop reading comments, but atm it’s been really nice to see comments popping up like little hits of dopamine. all though I should stop soon. You guys have told the story of how you all met studying in London & making music, how did you first start collaborating, and ultimately figure out that your sounds were compatible? Where did the name Night Tapes come from? We all lived in the same house a few years back and had our own projects happening, but living together jams started happening organically and Night Tapes- which was us in the evenings after work recording the vibe on cassette tapes crept up on us. What influence would you say your time spent together in London and your individual experiences growing up in Tallinn and the New Forrest have had on your musical style? I think there’s a magical vibe in Tallinn- I grew up in Old Town for the first 9 years of my life & talked to ghosts apparently (according to my brother). I have a bog behind my grandparents home where i stayed a lot as a kid. I carry a bit of Estonia with me everywhere I go so I think some of it does always end up in songs. I can only imagine it’s the same for the boys. Iris For Night Tape’s Single Cover ‘Drifting’ You’ve mentioned this most recent single was produced in a day! How was the process putting together ‘drifting’ and how do you combine your individual styles on new projects like this? It was Richie’s demo he brought to the session sounding pretty similar to the end version already. We were pumped to hear it with Max and got the song to where it is lyrically and structurally in a day. 31st of July 2023 was a great day. sometimes things just happen & things kinda come out like a sneeze. Just a moment and it’s there. It’s a gift when that happens because usually songs take 4 years with us (lol). This new single ‘drifting’ is sonically super colourful and uplifting but is matched with some sentiments on romance and love being a waste of time. This is such a fun contrast, what’s the story behind the meaning of the track? lyrically it was more of a stream of consciousness kinda thing. The line “romanticism must die” has always been a big emotional trigger for me & i’ve been carrying that line around for a while. with this song i was finally able to use it. By now i’ve figured out what it means for me, but I’d rather not tell and have people have their own interpretations. I can say though that I think the ideologies of romanticism in the 18th century for love are outdated and we should ask ourselves if the ideals back then still serve our love lives. I think they don’t. At one point you gotta ask yourself- is this a magical attraction or is it a trauma attraction actually (not that trauma attractions aren’t useful in bringing trauma out – it’s easier to heal something you are aware about). I think it’s more about the time and place and less about the one fated person for everyone. Something super special in your music is not just the big, dream-pop sounds in your production but the commentary in your lyrics, whether it’s on complex relationships or larger societal issues, where do you pull inspiration for the stories in your lyrics? I’m just collecting stories, words and feelings while living & weaving them into songs. trying to always leave something that’s true for me in there. Following some of the moodier, woozier tracks on your third EP ‘Perfect Kindness’, where are you hoping to take listeners with this new single? Are there any particular moments that inspired the bright, shimmery feeling in this track? I think we’re trying to make something we want to listen to. You’ve got a show alongside Sans Soucis, Circe and Ebbb in January, which I’ve already grabbed my tickets for! What else can we expect from Night Tapes in 2024? Yaaass! See you there! We’ve finished a new EP so look out for new songs coming up! Super pumped for them! making some more visuals with Owain Morgan (who did the video for drifting) and super excited to do that! Also, we have already started to write the next thing and we’re putting together a tour for this year to promote the new EP “Assisted Memories” coming out on the 26th of April. View this post on Instagram A post shared by
New Single Release: Tonia “I Kind Of Liked It”
New Single Release: Tonia “I Kind Of Liked It” I first heard Tonia’s voice covering Comedown by Joesef, a tender song depicting regrets from a break-up. This track is a favourite of mine, but Tonia’s emotive rendition assuredly showed off her effortless voice as she sang the introspective lyrics authentically, so naturally I was hooked. 29.01.24 Words by Georgina Walker https://www.youtube.com/watch?v=CJz363cmIrM Delving into Tonia’s music, EP ‘Afloat’ was released last year, sharing intimate thoughtsruminating on romantic situations both playfully and more pensively on tracks like ‘Afloat’ where Tonia grapples with ending a relationship that isn’t working. After the last chorus Tonia repeats ‘I tried to keep us afloat, but I need to be alone’, with heavier drums in contrast to a brighter sounding chorus, creating a perfect melancholic moment in the finale of the song. Tonia’s latest single ‘I Kind of Liked It’ features lyrics about the satisfying feeling of gettingover someone and channeling that energy back into yourself ‘I do it for myself now you’ve lost control’. The playful presence is there in this track again as Tonia is joined by multiple singers on the chorus and outro of the song, evoking a feel of camaraderie as Tonia decidedly moves on, but with no bad vibes with the sweetly sung outro ‘And I heard your song, and I kind of liked it too’. Sounds of alternative, dreamy pop and neo soul across Tonia’s tracks make sense as a modern-day interpretation of her influences. In a Selector Radio interview, Tonia reveals thatgrowing up she listened to a lot of jazz as well as iconic pop songs, and mentioned Lianne La Havas as early on inspiration in her songwriting. These influences are evident both in the production and lyrics of Tonia’s songs, combined with her silky yet stand-out vocal makes Tonia an exciting artist to watch out for. Tonia is an artist/singer -songwriter currently based in Liverpool, with a second EP out this April. You can catch Tonia supporting Say She She this March across multiple dates in the UK. View this post on Instagram A post shared by tonia (@heyitstonez) You Might Also Like Uncategorised
New Single Release: Ellie Bleach “Whole Lotta Nothing”
New Single Release: Ellie Bleach “Whole Lotta Nothing” ‘Songwriting extraordanaire’, Ellie Bleach, evokes a nostalgia beyond her years with her mesmerising vocals and refreshing authenticity in new track, ‘Whole Lotta Nothing’. 25.01.24 Words by Hannah Fitzhugh https://www.youtube.com/watch?v=h10uNvD5DTE Devastating and satire, Ellies cut-throat lyricism provides a one of a kind listening experience and enticing narrative to her music. ‘Whole Lotta Nothing’ uses humour and wit to perfectly depict the numbness that comes with forcing connections and feeling leftvoid of emotion after being hurt. Taking big risks- but ultimately pulling of her unique sound seamlessly, the up-and-coming alt-pop singer combines influences from artists such as Fiona Apple with jazz andcabaret style, saxophone instrumentals. This mix of nots to old school musical theatrewith witty, anecdotal prose is what gives Bleach’s identity that distinct edge. Despitetaking influence from different genres and eras of music, Ellie’s sound maintains anoriginality that is special and rare; making it impossible to look away. ’I felt nothing punching numbers in his phone, nothing, when he asked to take me home.’Exploring themes of cynicism and loneliness, with frank references to modern dating,’Whole Lotta Nothing’ is both comedic and painfully relatable. Turning more inwardtowards the mid-section of the track, the artist leans into the pressures of society andself-criticism; ‘Please don’t leave me alone with me. She won’t stop telling me lovesgonna come when you least expect it so don’t leave the house without looking splendid.Nothing comes to girls who sit and yearn.’ On the new track, the Essex born artist says, ‘I wanted ‘Whole Lotta Nothing’ to soundlike a dive bar at 3 am as if the narrator is singing to an empty room besides the janitorand barkeep,’ and she’s certainly achieved that. With a brand new EP set to be releasedand a tour this spring, Bleach is certainly one to keep your eyes peeled for. View this post on Instagram A post shared by Ellie Bleach (@ellie_bleach) You Might Also Like New Releases
New Single Release: Cristina Hart “Like My Father”
New Single Release: Cristina Hart “Like My Father” A radiant and melancholic exploration of paternal abandonment, and the effects this can have on attachments in later life. 25.01.24 Words by Clara Denise Brown https://www.youtube.com/watch?v=ZKLO-n2ZZss On January 25th Cristina Hart will release her touching new single ‘Like My Father’, which takes on themes of abandonment, trust and insecurity. Cristina’s angsty pop sound has seen huge recognition over the last few years, featuring countless times on BBC Introducing and gaining over 328 thousand streams on Spotify in 2023 alone. This new single marks her first of 2024, and hopefully there will be many more to follow. The lyrics are what first captivated me when I listened to ‘Like My Father’, as they have depth and vulnerability which can be felt through the powerful indie pop vocals. I admire the decision to elect a personal experience of this nature and express it in words, as it will undoubtedly resonate with many people listening. The single has melancholy and relatability, which shines a light on low self-esteem in relationships and delves into the root cause. There is a real essence of emotion that can be heard in the cadence of the choruses, representing the fluctuating stages of heartache. The instrumental of ‘Like My Father’ establishes a radiant pop euphony which acts as the perfect backdrop for Cristina’s vocal performance, ultimately letting her story take centre stage. If you are a fan of the likes of Devon Gabriella or Kenzie Cait then you will love this new track by Cristina Hart, as well as her entire discography thus far. You can pre-save the single before its release on the 25th of January, and you can also follow Cristina on her popular TikTok account for pre-release teasers and updates. View this post on Instagram A post shared by cristina hart (@iamcristinahart) You Might Also Like New Releases, Single
New Single Release: Lola Young “Wish You Were Dead”
New Single Release: Lola Young “Wish You Were Dead” The new single, “Wish You Were Dead,” by Lola Young, is filled with authenticity, delivering a captivating dynamic performance featuring strong vocals and instrumentation. 23.01.24 Words by Genevieve Pughe https://www.youtube.com/watch?v=TtqETmD-kEU Both humorous and hard hitting, the lyricism exhibits charismatic honesty which carries throughout the refreshing release. Young explains that the song was ‘a song to help [her] process an abusive and at times toxic relationship [she] experienced, even though at times [she] felt trapped, it’s about loving a person regardless of thefact they are hurting you.’ The writing skillfully reflects love amidst toxicity, with the sweetness in her voicesprinkled at the end of the verses, only to be taken over by the contagious rage of the chorus. The chorus is highly intoxicating, with its production build-up matching the powerful ascent of Young’s voice. Her talent is evident in every release, firmlyestablishing as an artist with a powerful voice and distinctive personal style. Lola is no stranger to dynamic and unique singles, with her previous single ‘Conceited’ being a perfect example of when unusual rhythmic instrumentation harmonises with purposefully accentuated vocals to create an infectious sound. In2023 Lola Young went viral for her widely-praised hit, ‘Don’t Hate Me’ which was definitely an anthem of the year for many. If that isn’t enough to entice you, then the stunning ‘Pretty In Pink’ is sure to convince you why Lola deserves a spot in your regular rotation. The candid ballad echoes sincerity through its sweet harmonies, and the climax in the last minute is one you can truly sink into. Lola is unquestionably one to watch in 2024, and she just so happens to be touringsoon across Europe and the US. If you haven’t sought out tickets yet, I would highlyencourage you to do so, as the opportunity to witness her powerful performanceslive is one you won’t want to miss. View this post on Instagram A post shared by 𝕿𝖍𝖊𝖊 𝕷𝖔𝖑𝖆 𝖄𝖔𝖚𝖓𝖌 (@lolayounggg) You Might Also Like Lola Young Genre: Exposure: Location(s):
New Single Release: Joely June ‘Cool’
New Single Release: Joely June ‘Cool’ Joely June’s latest single ‘Cool’ is a nostalgic indie tune that takes us back to pining over a high school crush. 23.01.24 Words by Olivia Bloore https://www.youtube.com/watch?v=m8H9e5gKeQE Drawing on a range of genres, from country, folk, soul and indie pop, Oxford born singer-songwriter Joely June has been releasing music independently since her first single ‘Desire’ in 2018. Since then she has performed live around the UK, notably at Truck Fest and two Rough Trade sets in Bristol and London. Joely June’s unique sound generally favours a predominantly acoustic mix, which forefronts her versatile voice and heartfelt lyrics. Having recently changed her stage name from Joely to Joely June, the singer wrote on her blog that she felt she was ‘due a bit of a fresh page’. ‘Cool’ feels like a new sonic era for her music, and signals a shift to a more indie, electronic sound. However, the lyrical storyline and fresh folk melodic hooks that are characteristic of Joely June’s sound remain central to the track. The song begins with guitar feedback launching into a sliding pop-country guitar riff over upbeat crashing drums.The spacey electric guitar texture reduces in the verse to give the vocals centre stage, as she sings ‘my eyes will look for you in every room’ over strummed acoustic guitar. Whilst embracing a fuller production, Joely’s vocals remain at the front of the mix, highlighting her honest and vulnerable lyrics. The instrumental builds as distorted guitars kickstart the soaring melodic chorus hook: ‘I’m just a kid with a crush at school/ and I’ll never be as cool’. Joely’s lyrics are honest and vulnerable, comparing adult love to the feeling of having an unreachable high school hall crush. The crashing drums over a wash of shoe-gaze guitar textures further embody a sense of pent-up teenage rage. Joely’s relaxed, effortless voice has an ethereal quality; her delicate vibrato and clear diction create a feeling of intimacy, as we feel a connection to the awkwardness of those high school years. ‘Cool’ is the beginning of a ‘fresh page’ for Joely June, and we cannot wait to hear more from this new era. You can see Joely June live at the Bullington Bar Shed Sessions in Oxford on 30th January. View this post on Instagram A post shared by Joely June (@joelyjune) You Might Also Like
New Single Release: Rachel Chinouriri ‘Never Need Me’
New Single Release: Rachel Chinouriri ‘Never Need Me’ Rachel Chinouriri’s latest single ‘Never Need Me’ solidifies her rising stardom on the indie-pop scene. 22.01.24 Words by Beth Gulliver https://www.youtube.com/watch?v=WHDjBjnuZ1s The 26-year-old Londoner’s track fuses poetic verses that unravel themes of vulnerability and strength in love alongside an infectious beat; combining the two, she creates a seriously re-playable anthem. Chinouriri’s vocals soar as the song gains momentum, building to a crescendo that had me rushing to listen again. The Brit School-trained artist began her career uploading music to SoundCloud, and her song ‘So My Darling’ later gained traction on TikTok. Last year, she received Clara Amfo’s seal of approval when ‘All I Ever Asked’ was named the Hottest Record in the World. Now, after two successful EPs, Rachel is releasing her debut album ‘What a Devastating Turn of Events’ in May. She previously joined Lewis Capaldi on tour after hilariously sending him a drunken Instagram DM asking to perform. Last year, more ‘Darlings’ (fans) were created when she opened for Louis Tomlinson on the European leg of his Faith in the Future World Tour. ‘Never Need Me’ proved popular on tour, leading to its release this week – and it’s easy to see why. The track begins with a catchy, toe-tapping drum beat and the earworm: ‘pa-da, pa, pa-da, pa’. Chinouriri launches into the tale of a complex relationship dynamic, using her ethereal vocals to ask for personal growth and independence from someone who has exhibited destructive behaviour. ‘Never Need Me’ builds to a bridge that will be electric live – the breakdown has the perfect beat to clap along to, peaking when Rachel belts ‘Ahhh’ in a cathartic cleanse. The lyrics encapsulate a concern for the other person as well as a strong desire to maintain personal boundaries: “In my head you can do what you like Oh no, I couldn’t care what you do with your life I hope you just take it easy I hope that you never need me And maybe I’ll regret not sticking around But how can I swim if you’re pullin’ me down? Just promise you’ll take it easy I hope that you never need me.” Chinouriri said in a press release: “I made this song with a sense of heartbreak but empowerment. It’s about taking your power back the moment you realise that helping someone is actually hurting you because they aren’t willing to change. “Sometimes you end up enabling someone instead of actually helping them and carrying their load is tough. ‘Never Need Me’ is the moment you wish them well, but you can’t continue to harm yourself by helping them.” The song’s music video stars Chinouriri’s friend, Florence Pugh, and depicts the two dancing around a kitchen baking a cake – which later gets shoved in the antagonist’s face. It is a video that perfectly aligns with the themes of the song whilst also oozing everything that is great about female friendship. Rachel Chinouriri’s album ‘What a Devastating Turn of Events’ is out on May 3rd. If you can’t wait until then ‘Darlings’, grab a sneak peek at the highly anticipated tracklist at an Unplugged Tour show, taking place across the UK throughout February. View this post on Instagram A post shared by rachel (@rachelchinouriri) You Might Also Like
Interview: Georgie Moon “2017”
Interview: Georgie Moon “2017” After a triumphant debut back in April 2023 with ‘Vital Signs’, Georgie is returning with a follow-up that has already turned heads from the likes of BBC Introducing and Amazing Radio! 17.01.24 Words by Kristian Floate https://www.youtube.com/watch?v=coQUBdApYTA Georgie Moon is a rising singer/songwriter from Brighton, transporting listeners through a radiant sonic journey of soulful harmonies and striking vocal runs. I was lucky enough to catch-up with Georgie on the lead-up to the release day of ‘2017’ – including all the BTS goodies from her tranquil nature-focused music video, writing inspirations, the story behind the track and what to expect for the remainder of ’24!# Your video is really well produced and cinematic – give me a rundown behind bringing it to life! “Thank you, yeah its funny because I was looking at the mood board a couple of weeks ago. We made it in the last of the September sun – we tried to plan it around that. A bit chilly, we had to get in a lake at the end and it was absolutely freezing. We were all convinced that there were eels swimming around beneath us.” “But no, It looks exactly like the mood board we made, I’m so chuffed with it. Ambitiously I even included some pictures of horses on the board, and we laughed as we even managed to find one on the day.” Who’s horse is that?! “So basically, Kate Robinson of Pixie Collective. My friend Brooke who’s my photographer and close friend – she introduced me to Kate, and I was like ‘can you style me for my video?’ I’ve never had a stylist before, but I just really loved her vibe.” With posters cropping up around independent Brighton businesses, ‘Pixie Collective’ struck a bell – it’s a new vintage clothing pop-up which will also double-up as the venue for Georgie’s release show in a few days’ time: Does this link to the venue you’ll be playing for the 2017 release show in Brighton? “It does, it does indeed! So yeah, on the day, we got to her shop for 7am with all the others to get styled, and she dropped into conversation that her mum owns a farm just down the road from where we’re going for the shoot. I immediately asked what animals are on the farm, and she listed pretty much every farm animal known to man.” “Jake – my director – picked me up in his car with Kate, all the extras went in a separate car, and we told him to head to the farm. Her mum is one of the horse handlers, so she picked a really gentle one for the video. His name was Guss – he was a dream!” It sounds like you had a huge team behind this shoot! Who else was involved? “I have a long list! Jake was my director, Ben was my DoP, my producers Elliot and Finn of Bullet Tooth Productions, gorgeous Laura on set design, Zac our gaffer and Brooke, Ella and Dominika who were my wonderful extras and obviously Kate making sure everyone looked fab. Brooke and Finn also filmed some behind the scenes bits on VHS and Brooke actually shot the single cover on the shoot. I met most of these people through working at Dukes at Komedia in the lanes, I used to deal with a lot of hiring down there. I’d interview lots of film students sometimes – and a bunch of us became great friends! I’m really lucky to have such talented friends who I can work on these projects with, it’s always so exciting to see everyone in action doing what they’re passionate about.” You’re surrounded by a great network – who played on the recorded track? “Local artist Eva Lunny played the harp on the track, we had Leo Hoad on cello, Esme Curtis-Lundburg on violin, George Seymour-Cole on bass, Finn Anderson on drums and Adrian Bunn on guitar and production too!” “My friends Elliott and Finn of Bullet Tooth Productions did my live video for my last single, a cover video and a BTS – but this shoot for 2017 was definitely the biggest thing I’ve ever worked on. As my last video was live, this is the first time I’ve pretended to sing in front of a camera!” Georgie’s focus on agriculture, rural life and nature across her music video closely complements the delicacy of her elevated vocal skill, with soft tenderness paired with unmissable projection. The visualisers, alongside the track instrumentals, takes a range of inspirations: “It was very inspired by the video for ‘Crosswords’ by Olivia Dean – I love everything she does. The Matilda Mann video for ‘You Look Like You Can’t Swim’ too, which was also shot here in Brighton. Well, our video was captured in Barcombe Mills just outside of Lewes – so beautiful there!” So with a brand new release, what should we expect at the release show on the 19th? “My release show on the 19th was fully planned by me, I have some experience in putting on gigs and wanted to make this one super special. I wanted it to be an exciting new spot, not a usual venue that people have been to hundreds of times before! Kate of Pixie Collective has a beautiful spot in the centre of town – we’ll be building a bar exclusively for the show.” “I’m going to be debuting my merch too – I’ve teamed up with my friend Immy who makes croquet scrunchies under her brand ‘Frilly Knits’, so we’re doing a little collab together. I didn’t want to do t-shirts, I just wanted to do something a bit different!” How would you describe this track to a first-time listener, and how would it compare to your debut ‘Vital Signs’? “I feel like this one is a lot sweeter. Yeah, as you said it has a much more Latin/ Bossa nova sound” ‘To