Kiss From a Siren
Kiss From a Siren Beautiful songs and otherworldly voices. The type of music you’d imagine a fairy may sing to draw you into it’s circle. Featuring a variety of up and coming artists from the UK, including recent Mercury prize nominee Jacob Alon and the ethereal Florence Rose. For those times when you wish you could close your eyes and vanish into a fairytale. People’s playlists by: Caitlin Taylor Instagram Alternative,Folk,Folk Pop,Folk Rock {{ reviewsTotal }}{{ options.labels.singularReviewCountLabel }} {{ reviewsTotal }}{{ options.labels.pluralReviewCountLabel }} {{ options.labels.newReviewButton }} {{ userData.canReview.message }} You Might Also Like Recent Posts
The Garden – NEW UK FOLK
The Garden – NEW UK FOLK Alt Rock,Alternative,Folk,Folk Rock,Indie,Indie Rock We’re happy you’re here. The Garden brings the best in new UK folk. Including Ugly, The New Eves, Truthpaste and more. Plucky strings, wandering vocal passages, take a walk and return to a summer daze. We hope to See You Around. People’s playlists by: Callum Lidington Instagram Instagram You Might Also Like Recent Posts
AK Patterson’s ‘Jailbird’ EP: A Haunting Exploration of Survival and Resilience
AK Patterson’s ‘Jailbird’ EP: A Haunting Exploration of Survival and Resilience Acclaimed singer-songwriter and multi-instrumentalist AK Patterson returns with her powerful new EP, Jailbird, an evocative four-track collection that delves into themes of trauma, resilience, and hope. Released on 21st March, the EP is a deep, emotional dive into Patterson’s shattered world. This is without a doubt the most exciting musical project I have seen this year. By Isaac phelan Currently Listening to: Known for her introspective songwriting and fearless exploration of dark subject matter, Patterson describes her style as “modern chamber pop fused with the melancholic spirit of 90s Lilith Fair”. Inspired by her time working in men’s prisons, the EP’s title track tells the story of three prisoners. Reflecting on her experience, Patterson shared: “Part of the job would be to walk around the blocks holding a clipboard with a list of cell numbers and names on it. I would knock for the men and gather them up to go sing songs together in the prison chapel… It has encouraged me to write songs that tell the stories that need telling.” This temperament defines much of Jailbird, which amplifies the voices of society’s outer fringe. “I Don’t Know How to Die” introduces listeners to Patterson’s own mental health struggles, written following a nervous breakdown that left her unable to sing for eight months — coupled with her decision to leave her band of five years. Dan Smith from Bastille praised the track, saying: “‘I Don’t Know How to Die’ blew me away when I first heard it. It’s spine-tinglingly haunting and beautiful.” Elsewhere, ‘Juno’ explores themes of independence and self-acceptance, while ‘Morticia’, inspired by a gruesome historical murder, adopts the voice of a victim pleading with death to piece him back together in the afterlife. Reminiscent of Soundgarden’s Black Hole Sun and The Cranberries, Morticia is a fierce and powerful song that blends brooding grunge guitars with evocative storytelling. Patterson’s musicianship is a defining feature of the EP. As a skilled multi-instrumentalist, she plays guitar, violin, harmonium, fiddle, and keys, giving each track a distinctive sonic character. From the stark minimalism of I Don’t Know How to Die to the dynamic intensity of Morticia, her versatility shines throughout. The EP’s title holds deeply personal significance for Patterson. Diagnosed with a muscular condition that trapped her voice for months, she felt like her voice was “literally trapped inside the cage of my own body.” This theme of reclaiming one’s voice — whether a prisoner seeking redemption, a victim seeking justice, or someone escaping a toxic relationship — lies at the heart of Jailbird. Patterson describes these songs as “darker than ever,” yet ultimately about “survival, resilience, and, above all, hope.” Following her acclaimed performances alongside Bastille, Patterson’s return to music has been met with growing recognition. Praised by The Independent for her “superb songwriting” and championed by John Kennedy (Radio X), Patterson’s ability to balance haunting narratives with emotional depth has marked her as one of the UK’s most compelling emerging artists. Jailbird is a fearless and deeply affecting EP, that transforms pain and uncertainty into an utterly powerful expression. This work won’t just stand the test of time, it will outlive the sun. Patterson is a voice that will whisper in our ears for generations to come. You might also like ˗ˏˋ ★ ˎˊ˗ Recent Posts ⋆⭒˚.⋆
NEW SINGLE RELEASE – The last Dinner Party ‘My Lady of Mercy’
NEW SINGLE RELEASE – The last Dinner Party ‘My Lady of Mercy’ 23.10.23 Words by Caitlin Taylor It’s almost impossible to believe that The Last Dinner Party have only officially released 3 singles as they’ve definitely entered the British music scene with their axe swinging. They’ve supported Florence & Machine, played Glastonbury and just this week made their debut on Later… with Jools Holland, it’s impressive for a band who had relied on building their name through word of mouth on the London music circuit until April of this year. Following on from their previous two releases ‘Nothing Matters’ and ‘Sinner, both dramatic love songs, in their latest release ‘Lady of Mercy’ the band professes their love to the religious (and modern feminist/queer) icon Joan of Arc. In a statement the band said “’My Lady Of Mercy’ is about being a girl, a girl looking up at a painting of Joan of Arc for the first time and thinking that she looks so brave and so beautiful that she wants to kiss her. And maybe she also wants to kiss the girl who stands next to her in the school choir… The lyrics explore the anguish of a teenage crush that can only be described through the bloody, carnal language of religious experience.” The most raw and intense of their releases so far, the chorus features gasping breaths and screeching backing vocals. It’s fun to see the band expressing less control than the carefully controlled verses of ‘Nothing Matters’. The track ebbs and flows with epic howling builds that lead to a choir of voices screaming “strike me through the heart”. The band have said that their sound is heading somewhere “darker, heavier” and that their main influences at the moment are Nine Inch Nails, PJ Harvey and Roxy Music, however the Kate Bush energy is still present in Abigail Morris’s bellowing gothic vocals. It’s clear through their styling and lyricism that the band is heavily inspired by medieval aesthetics and stories, with references to arrows, swords and stabbing. Religion is also a recurring theme, often juxtaposed with queerness. The single was produced by James Ford, who has previously worked with Florence & The Machine, Artic Monkeys and The Last Shadow Puppets Unfortunately their tour is sold out for the rest of this year but they are going on to support Hozier afterwards. Their next UK solo show will be at London’s The Roundhouse in February. https://www.youtube.com/watch?v=mV76WmC5I4s You Might Also Like Folk-Rock, Folklore, Greater London, Industry Breakthrough, New Releases, Pop-Folk, The Last Dinner Party
NEW SINGLE RELEASE – Pixey ‘Daisy Chain (Lullaby Version)’
NEW SINGLE RELEASE – Pixey ‘Daisy Chain (Lullaby Version)’ 18.09.23 Words by Ella Porteous Pixey’s stripped-back take on ‘Daisy Chain ’will have you transcending into another dimension The Liverpool-based singer-songwriter and producer has stripped back her summer anthem ‘Daisy Chain ’into a mellow lullaby full of soft harmonies and stunning instrumentation. A swift departure from the original song, the lullaby version perfectly demonstrates Pixey’s delicate yet powerful vocals. Self-professed “indie Britney Spears”, Pixey made her debut in 2019 with her self-released EP ‘Colours’. In 2020 she signed with Chess Club, a London-based independent record label and quickly released her debut professional single ‘Just Move’. A year later she was included in NME’s list of “essential emerging artists for 2021”. Pixey released the original version of ‘Daisy Chain ’in June which featured Nigerian-Scottish singer-songwriter Tayo Sound. Tayo’s alt-pop and hazy late-summer soul was a perfect fit for the song. Sampling ‘Steal My Sunshine ’by Canadian alternative group LEN gave the track an irresistible 90s-style summertime nostalgia that made it the ultimate bop of the summer. ‘Daisy Chain ’was a huge success for Pixey; recently hit one million streams on Spotify and marked her first music release since her album Dreams, Planes, and Paper Planes last September. On making the lullaby version, Pixey told DIY Mag that “Everyone just seemed to enjoy the tune so much; I was chatting to the label and they asked if I fancied doing a stripped-back version, and because I’m a producer I can just sit down and do that – I don’t have to go into a studio. That came out nicely, so we just thought ‘Let’s release it and see if anyone listens to it’. And people have been, which is so nice!” If ‘Daisy Chain ’is summer, the lullaby version is its autumnal little sister. The soft yet somewhat eerie folk and whistles that sound like birdsong transport you to an early autumn morning, when the leaves are slowly beginning to fall and there’s a crispness to the air that’s still warm from summer. It’s the perfect transition into autumn time, perhaps transitioning Pixey into her next music venture. Pixey will be one of the support acts for Crawlers this autumn, and will also be playing Live At Leeds Festival in October. We can’t wait for more music announcements from the queen of bedroom pop. You Might Also Like Folk-Rock, Indie, Industry Breakthrough, Liverpool, New Releases, Single
TWO TRACK RELEASE – FIZZ ‘Hell Of A Ride/ Close One ‘
TWO TRACK RELEASE – FIZZ ‘Hell Of A Ride/ Close One ‘ 19.07.23 Words by Kyle Roczniak An Introduction To FIZZ : Hell Of A Ride Review with news of a second single release Supergroups. Since before I can remember, well-known and successful artists have joined forces and been united by their love for music. Whether it’s the iconic Last Shadow Puppets, or we go all the way back to The 4 Seasons in 1960, they well and truly have their place in the music industry. You might not have heard of FIZZ, the hot new indie 4-piece, but you may well have heard of its internationally renowned members. Irish singer-songwriter Orla Gartland is joined by fellow musicians and writers Dodie (Dodie Clark), Greta Isaac, and Martin Luke Brown in this new collective of pals who share an undeniable love for creativity, and more importantly, fun. Dodie and Gartland began their careers uploading covers and originals onto their youtube channels over a decade ago. As the platform began to grow, so did they, and they became staples in the soft-indie, folk-pop YouTube world. Becoming friends with Greta Isaac and Martin Luke Brown, the group support each other through their individual careers, providing backing vocals and instrumental skills for one another’s songs. ‘Hell Of A Ride’, fronted by Martin Luke Brown, and a single from upcoming album ‘The Secret To Life’, is an anthem about ‘the trials and tribulations of ageing’ (“I’m 25, going on 45, going on 99, going on dead”). The song takes a different direction to debut ‘High in Brighton’ – it moves away from the psychedelic vocal pop style and instead encompasses Martin’s unique punchy vocals with a fuzzy, yet warm bassline. The track feels apocalyptic, dystopian, unsure, and the lyrics loosely reflect lockdown and society’s feeling of being on edge as we’re guided through a changing world. The chorus is a clear climax in the piece and combines the vocal harmonies of the four members, resulting in a luscious, thick pad-like sound. While playful and bright, the chorus holds a strong message about life and is in a completely different world almost to the verses. FIZZ encourage us to grab hold of our lives and not let the precious moments escape us (“Blink twice, You’ll miss the highlights”) ‘We wrote the verses as a bit of a laugh’ explains Martin on the band’s podcast Sundays With FIZZ, as he discusses the meaning of the track to him. As we move through the track, we reflect on feelings of regret as we grow up – “I think of everything I could have been/But instead look what I’ve got”. FIZZ explore that retrospective moment of realisation, where you finally accept that you may not have achieved what you wanted to achieve all those years ago. FIZZ’s debut album ‘The Secret To Life’ is available September 15th via Decca Records. As of writing FIZZ have also dropped new single ‘Close One’ Spotify below: The band will tour the UK and Ireland in Autumn: September 27th – Vicar Street, Dublin September 29th – O2 Institute, Birmingham September 30th – Chalk, Brighton October 2nd – SWX, Bristol October 3rd – The Tramshed, Cardiff October 5th – O2 Ritz, Manchester October 6th – Old Fruitmarket, Glasgow October 7th – Project House, Leeds October 9th – Shepherd’s Bush Empire, London List of upcoming dates:18th July – London, The George Tavern21st July – Brighton, Green Door Store28th-30th July – Cornwall, The Cornish Bank Summer Camp,16th September – Sheffield, The Fly Tower, Co-Headline with Sister Wives You Might Also Like Devon, Dream, FIZZ, Folk-Rock, Indie, New Releases, Next Big Thing, Single