Author: jacktyrrell8386

      ｡✰New Single Review:✦❁: CLIPZ “The Touch (ft. Rose Gray)”

      ｡✰New Single Review:✦❁: CLIPZ “The Touch (ft. Rose Gray)” CLIPZ returns to drum and bass roots with alternative-pop artist, Rose Gray, in brand new single “The Touch”. 09.02.24 Words by Holly Turton https://youtu.be/VODOh2H1ebc After a decade mastering his craft as REDLIGHT, Hugh Pescod returns to jungle alias CLIPZ and teases a forthcoming drum and bass project for 2024. With a number of festival headlines and radios hottest records under his belt, CLIPZ begins 2024 with as much fervour as a 90s warehouse rave. Also introducing East London based singer, songwriter, and DJ, Rose Gray to the new track. Blending the most hedonistic club-pop with a sprinkle of trance and techno in what we should call, her very own genre – Rose Gray brings a new definition to alternative sound. New single “The Touch” provides a seamless blend between each of the artists own crafts, emotive vocals and slick drum and bass beats that make for an electrifying listening experience. Rose Gray’s ethereal vocals add a captivating layer of emotion to the track, marking her debut in the drum and bass genre with finesse. CLIPZ describes their seamless fusion of talents as an effortless creative process when working on the track together. Keeping the production of the song true to his roots and energy vibrant, the chemistry between the artists is evident throughout the tune. The track serves as an exciting preview of what’s to come in 2024 and leaves listeners eagerly anticipating more. View this post on Instagram A post shared by ☆*:. ｡Rose Gray ｡.:*☆ (@rosegray_) You Might Also Like

      ｡❃New Single Review:❇✧: CORIN “what i want with you and i…”

      ｡❃New Single Review:❇✧: CORIN “what i want with you and i…” Lincolnshire raised and now Liverpool-based, singer-songwriter CORIN debuts a well-suited ballad pairing that she calls her ‘sister-singles.’ 08.02.24 Words by Nick Jones https://youtu.be/nENKCdEj63c Starting only from the lo-fi loops of a fizzing tape, it’s really quite special how “what i want with you” delicately unveils such a rich composition. Through sweeping sounds of ambience and pulsating arpeggios, it finds a lot of its sonic identity through the work of producers Charlie Carr and Fraser Moran. CORIN explains that her partnership with Carr started from their time together in university, and that these songs had been worked on by the pair before. This perhaps explains the certainty that is demonstrated in the song’s concepts, and the cohesion between writer and producer.  However, it’s CORIN’s vocal performance that gives “what i want with you” its lungs. Her voice is crisp and is so at home in an atmospheric pop number like this. Recorded at Carr’s home in London, it’s a real testament to the quality home recording can produce, especially if you have a talent like CORIN at your side. She guides the song even at its quietest moments and demands attention through its busiest. The backing vocals here are tight and in verses blend cleverly. In choruses, they float with reverb-heavy oo’s and ah’s and help paint the spaces with lighter hues.  To call “and i…” the B-side of this release would feel wrong, especially since CORIN labels these songs as sisters. It feels natural for “and i…” to follow though, as it offers relief from a comparatively much more energetic song. What the collective songs do very well is splice each other together. It becomes clear when listening to “and i…” why these songs live side-by-side and how releasing them separately just wasn’t an option for CORIN. It’s a seamless record really, with both songs featuring very similar instrumentation and timbres.  Whilst there are definite nods to more experimental sounds throughout the two songs, they are subtle and never lead the song too far from the idiomatic traits of pop music. It’s certainly a mainstream sound but with “what i want with you and i…” CORIN consciously allows many doors to stay open, allowing her the ability to explore many different styles and directions in the future. A solid debut. “what i want with you and i…” released on 2nd February 2024. You Might Also Like

      New Single Release: Kirsty Grant “Outerbody”

      New Single Release: Kirsty Grant “Outerbody” Kirsty Grant has delivered pop-perfection with her latest single ‘Outerbody’. It achieves what pop does at its best: transporting the listener to a happier, carefree place where all that matters is the tunes. 05.02.24 Words by Olivia Rix https://www.youtube.com/watch?v=wAMRnc4TrlM It’s the perfect dose of escapism to defeat January blues, and take you to that feeling of being in the club, dancing, surrounded by your best friends, or dancing in a world of your own. It’s a song for getting ready, and equally for the taxi back home. I for one want to hear this banger at the gay clubs in 2024, but I will also be playing it loud and dancing like nobody’s watching in my bedroom. This feeling of euphoric solipsism is in her lyrics: ‘In the crowd Might as well be alone Cause nothing else feels like home.’ Her personal lyrics are paired wonderfully with a catchy hook and chorus. This is definitely a sing-along anthem, it’s hard not to find yourself belting ‘cause it feels so good!’ Before this track, Grant released her cover of ‘Disturbia’ which was her production debut. She reinvigorated the classic with interpolated vocals, piano, and her dreamy, sweet-sounding voice. Her ‘Disturbia’ cover feels exciting, and ‘Outerbody’ is the perfect follow up from this to showcase her lyricism and fresh sounding pop sound. Sharing her feelings about the song, Grant said “I would love the listener to actually experience the song, and be taken out of whatever stresses they are dealing with, and get lost in it. I love that the lyrics describe how you can be on your own, or surrounded by people in a club, but when your favourite song comes on, you can just be taken out of everything and be in a world of your own.” She has certainly achieved that vibe with this song, and if you give it a listen you can let yourself get lost in it. Grant has started 2024 off on a high, and the rest of the year still awaits! View this post on Instagram A post shared by kirsty (@kirstygrant) You Might Also Like

      New Single Release: Millie Turner “Venus”

      New Single Release: Millie Turner “Venus” Returning gracefully with her first single release since 2021, Millie Turner pays homage to her own femininity in a refreshing track which appreciates the natural beauty of womanhood. 05.02.24 Words by Katie Ahearn https://youtu.be/0rNrOEJ69qk A ‘bang’ would be too violent address singer-songwriter Millie Turner’s return to the music industry. Her new single, ‘Venus’ is more of a sparkle: a shimmering star that plays like the lovechild of Lorde and FKA Twigs. A letter of adoration to the mythological goddess Venus, a glittering melody and gentle drums harmonize with mellow, pitchy vocals, evoking both the softness and strength of femininity. The imagery of the ocean has the same effect, a thought echoed in the underwater visual of the single’s cover art. A submerged, softly focused Turner seems to be immersed in the quiet power of her own womanhood as she gazes at the camera. At first, the track’s ethereal soundscape appears threatened by the pre-chorus “sharpen the claws, bending the verse, digging the way to space for Venus”. But that’s not without good reason, Turner explains in an Instagram post: “I pictured a group of scientists with their notebooks and sampling backs on an expedition to mine Venus for her soil,” “But beauty is always more mysterious and complex, and we cannot use rationality to play its games.” It serves to highlight Turner’s message that subtle beauty may be unexpected, but once noticed, it cannot be ignored. The track is the sonic twin of the building of a gentle wave, rising into a chorus before softly falling back into surrounding verse. Drums and cello dance hand in hand with Turner’s vocals. And with the lyrics “I took to the sky/and saw the rocket breathing residue/they saw that I saw you first”, it is emphasised that a woman’s own beauty is appreciated by herself in a way that cannot be perceived by others. It’s clear Turner is an aesthete, turning a blind eye to Venus’ other, less-visual qualities of prosperity and victory. But with lilting vocals akin to a siren’s, it’s hard not to be convinced by her sentiment. View this post on Instagram A post shared by Millie Turner (@millieturner) You Might Also Like

      New Single Release: Olympia Vitalis “Mardy”

      New Single Release: Olympia Vitalis “Mardy” South London Soul singer, Olympia Vitalis, releases new single inspired by Notting Hill Carnival encounter. 02.02.24 Words by Holly Turton https://www.youtube.com/watch?v=ygSGfB3Rtb8 Drawing inspiration from a range of influences including the legendary Amy Winehouse, to the complexities of race, and politics; South London based neo soul singer Olympia Vitalis pours her heart and soul into her lyrics and captivating jazz melodies. Reflecting on her mixed-race heritage, Olympia sparks thought-provoking discussions throughout her songs, often shedding light on the societal struggles that she experiences as a woman living in London. Her lyrics often explore a profound expression of self-love and how she challenges the stereotypes placed upon her. Her latest single “Mardy” addresses a disgraceful incident she experienced at Notting Hill Carnival, where she faced unwanted advances from a man. Instead of allowing this experience ruin her day, Olympia has channelled all emotion into a defiant response of empowerment. Enters “Mardy” the newest definition of revenge. The song kicks off with a bass-centric melody, setting the stage for Olympia’s smooth intro into her confrontation with the man in question. Joined by quirky ad libs and a gradual crescendo into the chorus, Olympia maintains her captivating presence, resilience and musical prowess until the end. We see Olympia Vitalis transcend genre conventions, and inspire listeners to embrace their own journeys of self-discovery and empowerment. Most definitely one to watch. View this post on Instagram A post shared by @olympiavitalis You Might Also Like

      New Single Release: DellaXOZ “come again”

      New Single Release: DellaXOZ “come again” DellaXOZ, Manchester born, alt-pop renegade graces our speakers with the energetic & fiery ‘come again.’ 31.01.24 Words by Zofia Elliot https://www.youtube.com/watch?v=hYaxyYg73Hs Switching between bedroom pop, alt pop and 2000s tinged rock; Lubasu’s growing range of musical styles has led to an increasing number of passionatefans and recognition. From her upcoming EP “DELLAIRIUM”, come again is already a fan favourite. Instantly captured by the classic sound of a buzzing guitar and crashing rhythm section, I felt instant Avril Lavigne-esque nostalgia. DellaXOZ fuses the undeniable inspiration of Y2K pop rock with her unique approach to production and meddling of genre. It’s increasingly difficult to pigeon hole 20 year old Danielle Labusa and that’s what makes her a special addition to the ever growing UK alt-pop scene. Angsty and relatable, her distorted, melodic voice details a confusing relationship, the cyclical feeling like they are forever chasing each other. Sonically soaring up and down as effortlessly as her voice sounds, this song is perfect for the slightly heartbroken and forever ruminating adolescent; picture jumping up and down on your bed after some serious, pillow-screaming drama. Danielle Labusa has become a powerhouse in blurring the lines. In ‘come again’ she takes grungy guitars, a simmering bassline and distorted vocals to create something fresh and uniquely ‘DellaXOZ.’ Recently added to Abbie McCarthy’s ‘Ones to Watch’ gig lineup she is starting 2024 off with exciting live shows, also opening up for Isabel Larosa at The Lower Third this week DellaXOZ’s six track EP comes out 22nd March, with come again being the opening track, the remaining five should be a thrilling musical ride. View this post on Instagram A post shared by daniella🇨🇩 (@dellaxoz) You Might Also Like

      New Album Release: Anna Meredith “The End We Start From (Original Motion Picture Soundtrack)”

      New Album Release: Anna Meredith “The End We Start From (Original Motion Picture Soundtrack)” Anna Meredith’s original score for the new British film ‘The End We Start From’ is a testament to her ability to transcend genres and create an enticing and intriguing soundscape for film. ‘Waterfall’, embodies the intimate yet large-scale scope that Meredith clearly envisioned for the film. 30.01.24 Words by Nina Napier https://www.youtube.com/watch?v=8GTTEqS9njE The film, which explores the deeply unique experience of motherhood against the backdrop of an environmental crisis, needed a soundtrack that could aptly represent its contrast between both the grand and intimate human experiences. Meredith achieves this with aplomb, utilising electronics and flute to create an airy, flowing sonic landscape that perfectly complements the film’s themes. In ‘Waterfall’, Meredith creates a distinct musical narrative that works in tandem with the film’s storyline. The track generates a celestial, accumulating sensation that subtly alludes to the underlying truth of the situation, instilling a sense of anticipation in the midst of turmoil. Meredith’s choice to focus on a breath-focused sound world is particularly effective in capturing the film’s water connections. The result is a piece of music that feels fluid and alive, mirroring the ever-present threat of the flood waters in the film. The soundtrack showcases Meredith’s wide-ranging musical capabilities, from her work in contemporary classical, techno, art pop and avant-garde rock. Her ability to defy categorisation is evident in every note of ‘Waterfall’, which serves as a compelling preview of what audiences can expect from the rest of the soundtrack. ‘Waterfall’ is a stunning piece of music that captures the essence of ‘The End We Start From’. Anna Meredith has once again demonstrated her ability to create a unique and captivating sound world, providing an immersive and emotionally resonant backdrop to this poignant film. View this post on Instagram A post shared by Anna Meredith (@annahmeredith) You Might Also Like

      New Single Releases: SPIDER “daisy chain”

      New Single Release: SPIDER “daisy chains” In the ever-evolving landscape of pop music, SPIDER emerges as a formidable and innovative force with her latest single, “daisy chains.” 30.01.24 Words by Noah Cole https://www.youtube.com/watch?v=EofBSuBbbs8 Produced by the grammy-nominated Maths Time Joy and written by the talented Jennifer Irabor, the track is more than just a musical composition; it stands as a sonic manifesto of empowerment and defiance. As a multifaceted artist, SPIDER has been recognised as a thrilling and refreshingly left-field voice in pop, as noted by The Observer. Her artistic journey is marked by a fearless exploration of unconventional themes and an unapologetic approach to storytelling. “daisy chains” exemplifies her commitment to pushing the boundaries of pop music, offering a cathartic anthem that resonates with authenticity. The collaboration with Maths Time Joy, known for his dynamic and genre-defying production style, elevates “daisy chains” to new sonic heights. The marriage of SPIDER’s distinctive vocals with Joy’s innovative production results in a track that not only challenges the status quo but also sets a new standard for contemporary pop. The track itself is a cathartic anthem, blending scuzzy guitars with a massive chorus, and explores the theme of reclaiming agency in the face of discomfort. Jennifer Irabor’s lyrical prowess shines through in the song’s exploration of the “Unholy Trinity of Young Adulthood,” touching on themes of sex and objectification against a visual backdrop that is both evocative and thought-provoking. SPIDER’s lyrical directness is matched by the expansive musicality of the track, creating a visceral experience that reflects her journey from the Dublin suburbs to the vibrant music scene of London. Her eight-legged alias, drawn from African spirituality, symbolises strong feminine energy and the belief in weaving one’s own destiny. With a background marked by defiance against restrictions and an unapologetic attitude, SPIDER’s music is a testament to her wit, empathy, and occasional rage. Additionally, the lyrics of the single reveal a powerful narrative, addressing uncomfortable experiences and the refusal to conform. The chorus, with its forceful lines like “Hold the applause, Hold the curtain, it’s not over,” underscores a determination to stand tall and assert control over your own narrative. SPIDER’s voice resonates with authenticity, proving to be a refreshing perspective in the pop landscape. As SPIDER gears up for her first headline show at London’s Camden Assembly on March 20th and the release of her EP, “an object of desire,” the anticipation for more from this rising star is palpable. “daisy chains” is not just a song; it’s a fearless manifesto that invites listeners into SPIDER’s vivid world of unapologetic self-expression and resilience. View this post on Instagram A post shared by SPIDER (@yourgirlspider) You Might Also Like

      New Single Release: Cristina Hart “Like My Father”

      New Single Release: Cristina Hart “Like My Father” A radiant and melancholic exploration of paternal abandonment, and the effects this can have on attachments in later life. 25.01.24 Words by Clara Denise Brown https://www.youtube.com/watch?v=ZKLO-n2ZZss On January 25th Cristina Hart will release her touching new single ‘Like My Father’, which takes on themes of abandonment, trust and insecurity. Cristina’s angsty pop sound has seen huge recognition over the last few years, featuring countless times on BBC Introducing and gaining over 328 thousand streams on Spotify in 2023 alone. This new single marks her first of 2024, and hopefully there will be many more to follow. The lyrics are what first captivated me when I listened to ‘Like My Father’, as they have depth and vulnerability which can be felt through the powerful indie pop vocals. I admire the decision to elect a personal experience of this nature and express it in words, as it will undoubtedly resonate with many people listening. The single has melancholy and relatability, which shines a light on low self-esteem in relationships and delves into the root cause. There is a real essence of emotion that can be heard in the cadence of the choruses, representing the fluctuating stages of heartache. The instrumental of ‘Like My Father’ establishes a radiant pop euphony which acts as the perfect backdrop for Cristina’s vocal performance, ultimately letting her story take centre stage. If you are a fan of the likes of Devon Gabriella or Kenzie Cait then you will love this new track by Cristina Hart, as well as her entire discography thus far. You can pre-save the single before its release on the 25th of January, and you can also follow Cristina on her popular TikTok account for pre-release teasers and updates. View this post on Instagram A post shared by cristina hart (@iamcristinahart) You Might Also Like New Releases, Single