Leibniz – Shut Up The World
Image credit: Jake Reid Leibniz – Shut Up The World Leibniz are a quick-rising Brighton trio that have captivated the grassroots music scene, with their infectious live energy and raw emotion making the ‘grungecore’ newcomers an essential addition to the artist radar. Words by Kristian Floate https://www.youtube.com/watch?v=J94fsi6pXCk Expect unfiltered anger and pain – bursting from the seams of a discography that doesn’t tip-toe around difficult subjects, but tackles them head-on. From transgender liberation and healthcare to mental health, Leibniz are highlighting the sometimes bleak reality of these topics, plating them up in front of diverse audiences and creating meaningful and essential conversation. Easing in with a squeaky clean octave melody, the trio don’t bother hanging around with gradual build-ups and steady interludes – cascading into full chaotic breakdown within the first few bars and maintaining an unmissable potency from start to feral finish. With Leibniz’s upcoming debut EP ‘Lifetime Patient’ encapsulating the ‘sonic expressions of trauma’ and playing homage to growing NHS waiting lists – their first single is a welcome introduction to a band who won’t hesitate to let their guard down and share the unfiltered truth. Written during a panic attack, Erin says – “I was literally having a meltdown when I wrote ‘Shut Up the World’. I just needed to release all this confusing energy and tension, and I think this song really represents the feeling of being overstimulated and unable to do anything about it, all I want is to shut up the world around me and shrink inside myself but all I can do is scream”. If the pained screams of lead vocalist Erin Munn aren’t enough to communicate the deep-rooted frustration and confusion catalysed by feelings of overstimulation in a deafening world, their lyricism is sure to do just that. Desires to ‘turn off my mind’ and regain control are deep-rooted from the very first note, and the relatability of these themes are ones that have earnt them deserved spaces on local + national stages, from supporting Brighton’s Belmondo on September 8th to riot grrrl legends Pussyliquor earlier this year. https://www.instagram.com/p/DAajBMStJJ0/ The unstoppable forces of Erin, Jack and Elisha have also turned the heads of Brighton’s Small Pond Studio, and their contribution to the critically acclaimed ‘Emerging’ program with 2023’s ‘Cold and Calculated’ has sent seismic waves across the country and established the band as ones to watch. Paired with their DIY follow-up ‘No Body No Home’ in early ’24, Leibniz are forging a discography that compiles elements of grunge, shoegaze and hardcore effortlessly, while showcasing a sound that continues to mature and diversify in technicality and complexity. ‘Shut Up The World’ will be released on September 27th, and the full EP ‘Lifetime Patient’ will hit the airwaves on 11th October – paired with physical cassettes and unannounced live shows.
NATTY LOU: “It meant that I only had one day to plan my set and little time to practice, but it turned out to be one of the best sets I’ve ever played.”
“It meant that I only had one day to plan my set and little time to practice, but it turned out to be one of the best sets I’ve ever played.” A conversation with Natty Lou, the natural-born performer turned global trailblazer of drum and bass, as we dive into her unforgettable Boomtown Hidden Woods set and her journey through the worldwide rave scene. Words by Isla Mcrobbie Your set at Hidden Woods had the most packed crowd I’ve ever seen! How did this year’s show compare to others? Honestly… best set of the summer! I was incredibly nervous because my hard drive containing all of music had broken a week before Boomtown and I had to take it to the computer repair shop. It meant that I only had one day to plan my set and little time to practice, but it turned out to be one of the best sets I’ve ever played. Texas MC was supposed to host my set that night, but he couldn’t make it due to an injury, so Tiny K jumped on last minute. As you can imagine, the lead up to the night was quite stressful, but as soon as I was on the decks, in front of that crowd, Ifelt at ease. Boomtown is my favourite festival in the UK – the vibes are just something else! I love how much time and effort they put into their production – the performers, the stage design, the secret stages… I can keep going! I’ve been super fortunate to have played Boomtown three times now and each year it keeps on getting better and better. It really has the best crowd – I still get people coming up to me at events saying that my set was one of the best sets of the weekend and it makes me happy to hear that. I’m really hoping to make it onto Origin stage one day…cross fingers! We loved the video of two fans raving during your set. How does it feel to see a sea of people having the time of their lives to your soundtrack? Haha I am so glad you captured that video! It makes me so happy to see everyone dancing, having a good time and enjoying my selection. I think it must have been the biggest crowd that I’ve ever played to. It felt so surreal seeing all those people out there who came to see me play. I find it difficult to take it all in whilst I’m playing because I’m so focussed on mixing and not messing up. It’s only until after my set that I think “wow, that was incredible!”. I couldn’t believe it when people were saying that there was a queue to get into the Hidden Forest during my set. Looking back at my friend’s videos, it really put things into perspective. View this post on Instagram A post shared by NATTY LOU (@nattylou_dnb) Your background as a dancer seems to add to your energy and stage presence behind the decks. How much of your set is improvised, and do you like taking risks during your performances? Thank you. I often get commended for my high energy behind the decks. I believe that I wasborn to perform, and I can’t help but dance to the tracks that I love. I’m super passionate about what I do, and I hope that shines through whilst I’m playing. I plan all of my sets but often change and adapt them when I feel that it’s necessary. I think it’s important for a DJ to be able to think on the spot, for example about what’s working and what’s not. It really depends on the crowd, where you’re playing and at what time. These are all factors I take into consideration. How did you start your journey as a DJ? What made you switch from dancing to mixing, especially starting in Hong Kong just before the pandemic? I started learning how to mix in 2018 whilst I was living in Hong Kong. I was a touring backing dancer back then, so it was hard to find the time to fully focus on it. Then the pandemic came, and I moved back to the UK. I was unemployed so as you can imagine, I had a lot of time to practice, concentrate on the craft and build up my skills. I started streaming my sets online, entered several mix competitions, and had the support from brands such as ‘Concrete Junglists’. I still dance and take on jobs from time to time, however, I’m fully focussed on a career in music now which, I feel, has more longevity. Your tracks “Alpenglow” with Lottie Jones and “Galactic” with Sebotage are amazing! When can we expect more singles? Are you working on anything new? Thank you! Yes, I’m sitting on so much music right now. I have music coming out with Tengu, D*Minds and up and coming producer, Leemo. I’m working with incredibly talented vocalists such as Mila Falls, Nathan Smoker and Ayah Marar. My release schedule is already looking busy for 2025 – I’m so excited for you all to hear! Your music is rooted in DNB, jungle, liquid, and other sub-genres. What’s your current sub-genre obsession? I love all sub-genres of Drum and Bass, but I mainly produce melodic, dance-floor Drum and Bass with powerful vocals. I make music that is uplifting, energetic, includes melodic hooks, atmospheric pads, a catchy topline that people can sing along to, and drums that people can dance to. As a magazine promoting UK female, non-binary, and trans artists, could you shout out another DJ, selector, or musician making waves in the industry? Or is there a track you currently have on repeat? Firstly, I’d like to give a shout out to the likes of Storm, Kemistry (RIP) and DJ Rap who have helped pave the way for females in Jungle & Drum and Bass. There are so many artists making waves in the
Interview: The Good, the Bad and the Ugly (Ozo).
Image Credit: Emily Marcovecchio The Good, the Bad and the Ugly (Ozo). Last week I had the opportunity to chat with what may well be the future of shoegaze, or as they have coined it ‘doom-gaze’- a moniker which certainly rings true. Fronted by Isle of Wight-born Jess Baker alongside her younger sister Boo, Ugly Ozo explores feminine rage through the lens of supernatural horror. Steadily becoming a regular fixture on the UK live circuit across past 12 months, often seen performing in fairy wings, her debut single comes off the back of a performance at the Isle of Wight festival back in June and notable recent shows with Sunfruits, Hotel Lux, Shelf Lives, The Pill and ELLiS·D. Following on from an initial series of dates with Lauran Hibberd last Autumn, Ugly Ozo will embark on their biggest UK tour to date this September, supporting the indie-pop singer/songwriter across 9 UK concerts. Aside from their musical brilliance and well-deserved attention, our conversation also reveals two women as powerful as the music they create. Words by Isaac Phelan https://www.youtube.com/watch?v=sffWlIKanDw Ugly Ozo is an intriguing name that suggests something both raw and otherworldly. Can you share the story behind the name and how it represents your music and identity as a duo? ‘Ozo’ came from this story I found about an old guy in Wyoming who met an alien while out hunting, who introduced themselves as ‘Ausso One’ (pronounced like Ozo). I thought it was so weird, and it kind of stuck after that. I feel like it does represent our music in a sense that it’s unusual, and it suggests that there’s a story to be told. How has your relationship as sisters developed into this musical partnership? We’ve always shared similar music tastes, and I definitely inflicted a lot of my inspirations onto Boo growing up. Now she’s older and developed her own tastes, we share so much of it and always want to find new things to be inspired by. I started to encourage Boo to write and contribute ideas towards my own songwriting, and it’s kind of gone from there- she’s like my quality control department. And she writes a sick bassline. Coming from the Isle of Wight, a place with its own unique culture and history, how did your upbringing influence your musical journey and the themes you explore? I think there was never much to do growing up on the Isle of Wight, it’s a very quiet place where not a lot happens. I hated school and left to be homeschooled when I was about 12, and I ended up doing a lot of interest-led stuff for the first year or so. In this time I found how much I loved music and playing guitar, as well as realising my fascination for anything paranormal. For a while I did genuinely believe I was going to be a ufologist when I grew up- to be fair I’d still be up for it one day. I think the two interests just naturally combined over time, and now I’ve accidentally ended up writing songs about Bob Lazar and Area 51. Your music delves into powerful themes like feminine rage, revenge, and the supernatural. What draws you to these themes, and how do they resonate with your personal experiences? I was a victim of SA/rape in 2020 by someone I had been friends with for a long time. It affected my life so much and changed me as a person, and left me with so many emotions I didn’t know how to deal with. When I wrote remains, I didn’t initially know it was going to be about that experience- it ended up just flowing out of me and I found the whole process quite cathartic. I feel like music is such a powerful tool for expressing how you feel without fear, and writing that song has kind of given me something tangible and positive to hold onto coming out of that period of my life. As for the supernatural- I’ve seen ghosts and UFOs since I was a kid, and just find the whole thing so interesting! My friends laugh at me but I think it’s cool. Image Credit: Alia Thomas The supernatural elements in your music add a fascinating layer to your storytelling. How do these themes connect to your overall artistic vision? The supernatural is something I’ve had an affinity with for as long as I can remember, and I feel like ugly ozo wouldn’t be complete without it. I like ugly ozo being presented in a way that is unusual and a bit spooky. I detect an element of post-punk grunge in remains, akin to Daniel Ash’s Bauhaus. How does gothic art rock influence your creative process? I love eerie guitars and things that sound a bit dissonant and dark. When I go to write a song, I usually start with an idea and then go, ‘how can I make this creepier?’. I like my music to feel like the soundtrack to an old Halloween VHS tape. As sisters, how do you navigate the creative process together? Do you have complementary roles, or do you find yourselves challenging each other creatively? I (Jess) do most of the songwriting, and Boo tells me what’s good and what I can do better. She can be savage but I trust her judgement- she’s 5 years younger than me so I need her to keep me relevant. She helped me direct the music video for remains too, and she had some really cool ideas. It’s so fun working with her because she is genuinely my best friend, and we always joke that we share one singular brain cell between us. The blending of alt-rock, grunge, and eerie surf guitars creates a unique sound. How do you go about crafting this blend, and what influences your choice of sonic elements? I was mostly self-taught on guitar and learned everything just by playing songs I love. One of my biggest influences
Gig Review: Jaz Beeson and Cora Rebel @ Servant Jazz Quarters (18/07/24)
Gig Review: Jaz Beeson and Cora Rebel @ Servant Jazz Quarters (18/07/24) 06.08.24 Words by Charles Buttle Nestled in the heart of North London is the Servant Jazz Quarters, an intimate and welcoming events venue that has hosted many talented musicians throughout its history. On Thursday, July 18th, it was the setting to an unforgettable spectacle as Jaz Beeson, 24, took to the stage to deliver her captivating headline performance, ‘The Petrol Receipts Show’, complemented by special guest Cora Rebel, 26. As the audience eagerly awaited the evening’s performance, Cora kicked things off with an enchanting opening act. She took the audience on a rollercoaster of emotions through her original music, including ‘Room For Wonder,’ ‘Break Of Dawn,’ and her latest single, ‘20 Forever’. However, her debut performance of her original song ‘Again’ was a standout. Cora held complete control of the room as the audience hung on her every word during the powerful and emotive track. The further she sang, the louder the roars of applause got, setting the bar incredibly high for Jaz’s upcoming performance. Throughout the interval, audience members spoke incredibly highly of Cora’s opening act. One guest, Andy Gardener, commented: “Cora has come incredibly far throughout her career, and this performance marks a new era for her as a musician.” Another, Benedict Williams, added: “Cora being invited as the special guest was an outstanding choice; while she and Jaz take different approaches towards their sound, combined, they’re a force to be reckoned with.” As more people streamed into the venue, anticipation for Jaz’s entrance grew amongst the audience as the band took their place. The lights dimmed, and a static transmission filled the air, introducing the premise of the show while teasing several hit songs yet to come. Then, as the band began the introduction to ‘Peugeot 205’, Jaz surprised the audience with her sudden appearance from the wings, ready to deliver a captivating performance. Throughout the show, Jaz delighted the audience with her latest hits, including ‘False Ceiling’, ‘People Pleaser’, and ‘Villain’, eliciting adoring cheers and applause. But, while each of her original songs was a crowd-pleaser, her rendition of Fountains of Wayne’s ‘Stacy’s Mom’ electrified the audience, establishing itself as a memorable highlight of the show. As Jaz wrapped up her final song, the crowd pleaded for just “one more song”, and with the resourcefulness of her trusted band, she pleased the audience with a thrilling rendition of One Direction’s ‘What Makes You Beautiful’ to conclude the evening. Towards the end of the show, John Harris commented: “Jaz is unlike any performer I’ve ever seen; even though her talents as a singer and songwriter can’t be understated, her ability to connect with the audience is what makes her a highly respected figure in London’s music scene.” Furthermore, Matt Gray commented: “We travelled all the way from Grimsby to watch Jaz perform because that’s truly how much we believe in her; every time she’s on stage, it’s magic.” Taking a “personal touch” towards the performance, ‘The Petrol Receipts Show’ was filled with small yet powerful elements that made the evening unforgettable. From handcrafted merchandise to the decorated stage, no detail was left untouched by both Jaz and her team. However, a standout element of the show was the prevailing sense of love and community throughout the venue, connecting guests and performers alike. During both Cora’s and Jaz’s performances, each artist openly expressed their heartfelt appreciation for the incredible turnout while also praising one another’s acts. It was evident that both artists understood the significance of being part of a greater whole, as at every opportunity, they showered their team, band members, and the audience with nothing but glowing praise. Jaz said: “I couldn’t be happier with how the evening went. From the love and support of the audience to the hard work and dedication of my team, it was truly an evening to remember.” Cora added: “I’ve loved being a part of the show as Jaz is an incredible artist and a joy to work alongside. It was interesting to see our audiences overlap for the evening and watch everyone have an amazing time.” “I’m just thrilled to be back doing what I love,” Jaz will perform at ‘Humber Street Sesh’, Hull, on Saturday, August 3rd. Furthermore, Cora plans to record her entire set from ‘The Petrol Receipts Show’ and make it available on her YouTube channel in the coming months. Cora will also perform at The Hope and Anchor, Islington, on Wednesday, August 21st. What do you think?
⊹⊱• Interview •⊰⊹ Ella More
⊹⊱• Interview •⊰⊹ Ella More Ella More’s latest single, ‘Hate You For Good,’ blends playful lyrics and dynamic vocals with a generous splash of indie guitar. Featuring a sizzling hook and a feel-good chorus, this sun-drenched, ‘Back on 74’ inspired track is the perfect addition to your summer playlist. 06.08.24 Words by Gabi Machen Though relatively new to the scene, Ella’s dedication to honing her artistry is evident from the outset, with each release offering deeper insight into her musical style. Having already made a mark through several singles and notable support slots, we caught up with the singer-songwriter to delve into her influences, aspirations, and journey so far—from dancing to Destiny’s Child around her room to performing alongside Jorja Smith. Can you tell us a bit about how you got started in music? I’ve always loved music and the way it makes me feel. I used to dance around my room blasting Destiny’s Child, dreaming of being Beyoncé, but it wasn’t until after I finished university that I decided to pursue it as a career. I’ve always loved writing and singing, but honestly, I only started songwriting in the last four years, so I still feel pretty new to it. Around covid, I was lucky enough to connect with some musicians in Birmingham who pretty much taught me everything I know, and I fell in love with it. I’ve still got so far to go until I’m the artist I want to be, but I’m loving the process of learning and hopefully getting better every day at something I love. What are some of your biggest musical influences, and how have they shaped your sound? There are loads! Old and new. I grew up listening to an eclectic mix of soul, R&B, funk, reggae, classical, folk etc., and you can hear these influences across the tracks I’ve released so far. It’s probably why when I first started writing music I found it difficult to define my sound because I love a bit of everything. There are a lot of artists I’ve discovered more recently that are currently in rotation, including Saya Gray, who I think is a genius, Sasha Keable, Fana Hues, Natanya, Katus Myles, Destin Conrad, and so many more. I always find listening to new artists and music I haven’t heard before ahead of a session helps to inspire me. Hearing new melodies and lyrical ideas sparks creativity and shows me new ways of doing things. There’s so much music out there, and so many artists I’m yet to discover who I’m sure will have huge influences on my music in the future. It’s exciting to think about! You released your first single at the beginning of 2023. How has life changed since then? Life has been busy! I feel like in this industry you’re always playing catch up, I’m always on guard, ready for that spanner that throws everything off track. You have to be super adaptable, but I hate sitting still, so I’m loving it. I’m still pinching myself over so many of the things we’ve done so far, and honestly, I didn’t think I’d be doing any of this so soon into my career. What has been your highlight so far? There are so many highlights, but I think one of the top would have to be supporting Jorja Smith at the O2 Academy back in Birmingham. The first gig I ever went to was there, so it was a very special, full-circle moment! Your new single showcases a funkier, more upbeat sound. What inspired ‘Hate You For Good’? It’s time to dance! This one was inspired by Jungle’s track ‘Back on 74’. It’s such a great song, and I saw so many videos of people dancing to it that I thought, I want to make something that makes me want to do that. I worked with my good friend and musical genius Logan Aspin on it, and it all came together in pretty much one afternoon. The process was super easy like it was waiting, ready for us to bring it to life. It feels so good to have it out now for everyone to listen to and hopefully love it like I do. How do you approach creating music that resonates with people? I think this changes a lot depending on the song, and there are so many layers to it, but I’ve always felt most importantly that I want to make music that makes people feel something. Music has such a unique power in that way. At times, it can feel that a song is truly resonating with exactly how I’m feeling, and I think that’s so special. To be able to create that space for people to turn to in any mood or stage of life is magic. We were fortunate to catch your set at Cross The Tracks in May. How has performing your songs live been for you? Still dreaming about that day! Not only to perform at Cross the Tracks, which has been a goal of mine but also it was the first time we did full band. It’s so much fun being able to incorporate more elements into the set, and each member brings their own unique energy to the songs and takes them somewhere else. It feels incredibly special! You’re supporting Jungle in your hometown of Birmingham next month, which is very exciting! What do you have coming up in the future? I can’t believe this is happening! Jungle have inspired me so much and not only on the latest single, so I honestly can’t wait. Performing at home is the cherry on top. Coming up is more of the same. I’m hoping to get some more performances in and hopefully host my own headline show. Other than that, I’m working towards releasing a small project. I feel like I’m ready to take the next step and excited to show everyone what I’ve been working on!
٩(- ̮̮̃-̃)۶ INTERVIEW ٩(̾●̮̮̃̾•̃̾)۶ Tina Sandwich
٩(- ̮̮̃-̃)۶ INTERVIEW ٩(̾●̮̮̃̾•̃̾)۶ Tina Sandwich New EP release date, launch parties, tour announcements, a new single, and music video. Tina has been very busy lately. Words by Jamie Shovelin https://www.youtube.com/watch?v=1EjGQGoHiTY If you are unfamiliar with Tina Sandwich, where have you been? Tina Sandwich is a local artist from Glasgow and has been making some big moves lately in her career. Just recently she played a sold-out show at St Lukes with Declan Welsh & The Decadent West and the help of United Hospitalities in aid of the charity Islamic Help. “We started planning that back in October last year, Straight away hit the ground running. We needed to do something for the people of Palestine. “It did take a lot of planning, but we managed to get a really good deal with St. Lukes. We got an amazing raft of artists and also artists and T-shirt makers to donate.” The goal of the show was to unite everyone and show their solidarity with the people of Palestine. They encouraged people to change their spending habits and acknowledge the impact that can have on things like the ongoing conflict. The sold-out show was able to make enough money to be able to send two surgeons for a full term to Gaza. After such a momentous show there was no stopping for Tina as shortly after she released her latest single “I Want” on the 27th of June. Her latest single was named Tack of the Week by BBC Introducing Scotland, where the BBC themselves said the song was an “anti-capitalist call to arms.” Tina herself said the single is about the “notion of escapism actually being kind of dangerous.” The song discusses the downside to the return of recession pop and that mindset of wasting your money every night. Shortly after the release of the single Tina announced her debut EP “For the World,” set to release on the 8th of August. Tina best explains the sound of the album herself: “It straddles the two musical worlds that I’ve put out before, it’s got your Joni type of stuff and then it’s also got heavier stuff as well.” The premise of the album is to show the two worlds’ artists like Tina’s face. Tina Sandwich is just her stage name it’s not who she really is, this album explores those two sides. “I’m most interested in people to listen to the album tracks! Because a lot of the time you’re like ‘Oh we need to do a single.’ So, it’s nice to have the opportunity to put something out that’s a bit smaller or stranger.” Not even ten days after the announcement of her EP she was releasing the music video for her previous single ‘Joni.’ The music video, which features some familiar faces (Tom from SOAPBOX) is set in an office karaoke party that takes a sombre turn, just in time with the lyrics. And if that wasn’t enough news for you, she recently announced she will be supporting LEAP on their European tour for seven dates! With so much going on surely, she would be stressed out right? Wrong. Tina is managing it all perfectly. “It’s been a really busy time; this isn’t even my main job. So, I feel like I work like 300 hours a week.” But despite it all Tina loves what she does. “I’m really passionate about my music, anti-imperialism and being pro-Palestine. I think if one of those things felt soul-destroying and I was only doing it for the money, I would feel terrible.” “But I’m getting by knowing that these are things that are really close to my heart, and I will fight for them to happen. It feels good that.” ‘For the World’ comes out on the 8th of August on all streaming platforms and tickets for Leap’s European tour are out now! View this post on Instagram A post shared by T (@tina__sandwich)
✧⋄⋆ Interview ⋆⋄✧ Raelle
✧⋄⋆ Interview ⋆⋄✧ Raelle Over the last 3 years, orchestral soul artist Raelle has been developing her beautifully warm and intimate live shows. Words by Callum Lidington https://www.youtube.com/watch?v=AcwbDKc8HS4 In that time, she has performed at a host of notable venues, including the Jazz Cafe, Village Underground, and now, for a second time, The Elgar Room at The Royal Albert Hall for her first sellout performance. The New Age Magazine caught up with Raelle after her show for a Fantasy Festival Q and A. She takes us from Norwich, to London, to France and even to Latin America, as she talks us through her journey so far, as well as her hopes, dreams and ultimate music festival fantasies. Raelle today you will be headlining your own fantasy festival, we’ll be discussing your dream venue, food, drink, and guest artists as well as your songwriting philosophy and your journey so far – Shall we take it back to the start – St Laurence Church in Norwich for Wild Paths Festival 2021, your first festival performance and I was blessed to catch it… What do you remember about that day? Yeah, it was very surreal for me, I could barely even digest the fact I was performing at a festival. It was very soon after I had started releasing music, so it was pretty like ‘whoa, this is a big thing for me’. It was a great day though, and it’s a beautiful venue. How have things changed in the 3 years or so between that performance at Wild Paths and yesterday’s performance at The Elgar Room? What hasn’t changed? Everything’s changed I think. Before I was very much still finding my voice, my feet, what I wanted to stand for, and what I wanted to sound like. I think I’ve grown within those three years, the way I look at music is super different and how I make music is really different. I really want my shows to be an immersive experience. I want to bring the audience into my world, and inside the songs with me. I think doing this is one of the biggest changes to how I perform. They are both stunning locations, and you’ve played at plenty of others in between, what’s been your favourite venue to play? Oh my God. My favorite? I really liked Village Underground supporting Marie Dhalstrom, that was sick, a really beautiful venue. I’ve seen so many acts there and then I was on the stage, I was like ohh OK, this is different now, that one felt like a really big deal for me. View this post on Instagram A post shared by RAELLE 🌻 (@_raelleeee) But this is your Fantasy Festival – What would be your dream venue or destination? It has to be somewhere hot by the sea. It would be a mix of party and chill. Holistic, but also carnival style partying! There would definitely be an eclectic bunch of people in the crowd, and on stage, and I’d be there moshing in the middle! The day would end with us all chilling at the beach. The first people are arriving at your festival! They’re super excited for the day ahead but they are going to need some sustenance. At your Fantasy Festival what food and drink is everyone having? I really enjoy Latin American food and culture, so I’d probably have Colombian or Mexican food! I’ll go for crispy prawn tacos with guac, rice, beans and cheese. And to drink spicy margaritas with a chilli rim! Now whilst you prepare for your fantasy festival headline performance tonight, we have some of your recent collaborators keeping the crowd entertained – you worked with S.Fidelity, Collard and Gabiga on the single ‘Stolen’ released in November last year…What was it like working with all of them? They are my brothers for real! I love them all. It was such a beautiful experience as well the way that song came together, it was at this writing camp in France. S. fidelity, and I had been working together throughout the week, and it had come to the last day of the camp. We were sitting in this beautiful studio in the South of France and I just started playing this bass line, and then Gabiga got on the drums and started playing, then Collard started singing his verse. It all happened so organically. I think that’s how a lot of my new stuff is in the way that it’s happening. There’s a really organic process in the way it’s being made, and sounds, even the choice of words I’m using as well. I’m seeing S.Fidelity in Berlin soon to work on a new project! The time has come for you to take the stage. The crowd has been waiting for this moment. One of the reasons people are so excited to see you perform is for your lyricism. You’ve said in previous interviews music isn’t just about what sounds good, it’s about communication – your newest EP Bloodlines is a homage to the Windrush Generation and it’s crafted around a really beautiful and thought-provoking spoken word interlude… How important is it still to write music that brings attention and gives voices to people and events from history and the modern day? I try to have a message or story at the core of my songs, that way it lasts because it has that resonance. I don’t think that the human experience is something that is particularly changeable. I feel like people have experienced the same kind of range of emotions throughout history, but they just look different throughout different time periods through different lenses, but the feeling is always the same. If you’re able to capture that feeling in words, and then bring it out even more with the music, then I think you create a timeless piece. Who or what influenced your songwriting philosophy and attitude? I really like people who are just honest. You can feel it through the
⊹ Glastonbury Interview ⊹ BANYAH
⊹ Glastonbury Interview ⊹ BANYAH 26.06.24 Words by Jessica Blissitt What has your journey been like on the road to Glastonbury? How does it feel to be performing at one of the most infamous festivals of all time? We have been lucky enough to go to Glastonbury a couple of times with our family, and have got to know the Croissant Neuf crew! It’s been a few years since we’ve gone, 2017 was our last Glastonbury, but we thought we would chance our luck at pitching BANYAH to play a slot, and it worked! We are buzzing to play, it is definitely the holy grail of festivals to perform at, so we feel very honoured to have the opportunity. When we first attended, I remember us both saying that it would be the dream to play at Glasto! You’ve had some incredible collaborations with the likes of BENJAMYN and most recently Conor Hamilton-Long. With the current lineup for Glastonbury is there anybody else you would love to work with or make that connection whilst you’re enjoying the festival? We love collaborating! And have some in the works, including a song on our EP with Arn. A Donegal-based artist whose infectious voice is such a treat on the track. There are just too many great artists at Glasto this year to be able to pick a favourite but a few we would love to work with would be the likes of London Grammar, SG Lewis & Kneecap When I was rooting around on Spotify, I read that you were going to release a debut EP in 2023, but on your website this had been changed to 2024. When are you hoping to release your debut EP and is there a potential you may perform part of this at Glastonbury? Haha! Our debut EP has been in the works for quite some time now. So much so, that we have the bones of a second EP already there! We have both been incredibly busy with other musical projects over the last year or so, but all of that is starting to slow down now, and we are ready to go full force with BANYAH over the rest of 2024. There will definitely be some material from the debut EP in our Glasto performance, we’ve tried out some of it live already, it is super high energy and we feel it’s our best stuff yet, so we can’t wait to play it for the Glasto crowd! In front of a festival audience,If you only had 10 words to describe your set to the audience, which 10 words would you choose? Dreamy and atmospheric pop with a sprinkle of melancholic energy What are you hoping to get out of your Glastonbury experience this year, and do you think it will influence and inspire your music in the future? Could your music be moving in a different direction? We’re just really looking forward to playing on Thursday and absolutely delighted and excited to just be playing this legendary festival. You never know who will be passing by the Crossaint Neuf bandstand and hear us. How do Irish and English crowds differ, and if there was a part of your hometown you could bring to Glastonbury, what would it be? We’re not actually too sure as we’ve not played as BANYAH in England yet, but if it’s anything like the Irish crowds we know it’s going to be a good time! Irish crowds are lively and energetic, so we hope to bring that magic and get the people moving about.
⊹⊱• Glastonbury Interview •⊰⊹ DJ Gracie T
⊹⊱• Glastonbury Interview •⊰⊹ DJ Gracie T Set to play two sets at Glastonbury this week, DJ Gracie T has come a long way since they first dipped their toes into mixing in 2018. 26.06.24 Words by Alekia Gill From heavy dubstep to South Asian callbacks, Gracie T’s repertoire places them as a pioneer in the DJ scene today, cemented by their dedication to creating safe spaces for underrepresented artists. Here we explore these spaces further, figuring out what’s missing and how DJ Gracie T aims to fill those gaps. It’s clear that you’re carving out your own space in today’s music scene, but who inspires you? There have been so many artists who have shaped the artist I’m trying to become, a few stand out to me such as Anz, Sherelle, Jyoty, Manara & the Pxssy Palace crew. It’s always a joy to see these artists being authentically themselves on stage but I also respect the way they all stand up for themselves when they’re faced with the negativity that can often come with being marginalised in the music scene. You are part of the management team for The Beatriarchy, which provides a platform for underrepresented artists. What, to you, defines an inclusive community? What do you look for and aim to provide? I run The Beatriarchy alongside Kitsta, Shannon From Admin, Colecta, MYNA, & Beetroot and we have always tried to create a space for the people in the music scene who struggle to find a sense of belonging. An inclusive community means a space to be authentically yourself, share knowledge and support the successes of each other. View this post on Instagram A post shared by Gracie T (@djgraciet) While pursuing music, you’re also doing a lot for marginalised communities – is this ever draining? Championing marginalised communities is incredibly meaningful but it can be draining when it’s coming from a super personal place too. The racism, sexism, and homophobia I’ve experienced in the music scene has been exhausting at times but it’s definitely made me more determined to create a safe space through open decks, workshops, events and my own sets.What’s your dream gig/venue?Glastonbury was definitely one of my dream gigs so it’s crazy to be going! Other than that I always try to seek out the hidden gems, the small DIY venues and the queer spaces in different cities – those are always my ideal venues to play! You have recently made the move from Sheffield to Manchester. Do you see a difference between the two music scenes and is there anything still lacking in either place? I was sad to leave Sheffield after being there for almost eight years but the Manchester scene has been super welcoming. I think the two cities are very similar, however Sheffield has definitely seen the disappearance of several important DIY spaces, which has created a hole in the community. Spaces like Gut Level in Sheffield are building this back up again and they deserve all the support people can give to making the scene more inclusive! I’m incredibly excited to be working with Dialled In to put on our first festival in Manchester on the 20th July. The lineup is filled with South Asian talent from the North, particularly platforming women & queer people who are often forgotten like the legendary DJ Radical Sista, House of Spice & many more. What can we expect from your Glastonbury set? I’ll be bringing a fusion of genres like usual to Glasto this year. In my set b2b with Shivum at Silver Hayes we’ll be bringing the Funky/Jersey Club/Garage vibes and expect loads of fun edits with a South Asian spin. At my set on the Arrivals stage I’ll be going a bit harder with lots of Bassline, Dubstep and Jungle – think silly & speedy! Could you describe your 2024 so far in one word, and give us another word to describe your hopes for the rest of the year? Whirlwind – I moved to a new city, started a new job & it’s been hectic! I’m hoping the rest of the year will be chilled – I’m trying to find a good work/life balance with teaching/djing/resting, so wish me luck! DJ Gracie T is playing The Lonely Hearts Club at Silverhayes, Glastonbury on Thursday from 11:45pm-1am, and Arrivals at Shangri-La, Glastonbury on Friday from 4am-5am.
₊✩‧₊ Glastonbury Interview ₊✩‧₊ Meg Ward
₊✩‧₊ Glastonbury Interview ₊✩‧₊ Meg Ward 26.06.24 Words by Hannah Naismith I actually saw you at Glastonbury last year at Glade and it was incredible, I absolutely loved your set! I believe it was your first time playing Glastonbury so how does it feel to be going back? Ah I’m glad you enjoyed my set, it was a truly emotional experience for me last year. It feels amazing to be back – I actually feel like I belong there. It would feel weird to not go every year now.. It’s a magical place. So your latest EP release is called ‘Sancturance’ – I really like ‘Basix’ off it, it’s just a classic groove along track. But I’m curious as to what inspired the name ‘Sancturance’? It’s actually a mashup of the words ‘sanctuary’ and ‘dance’ because the whole vibe of the EP was to create a space where people feel safe and at peace at the rave. Now this might be a bit of a hard question, because all of your tracks are ones that you can dance to, but do you have a favourite track to play that you think really gets the crowd going? My fav track to play at the minute is actually my new single (out 21/06) ‘KEEP U’ which is out on my brand new label ‘mega wavy’. I’m actually not just saying that to plug the track too it is genuinely the one tune at the minute that has really been going off in my sets. Very excited about it! We’ve actually got a project in the works at the moment in The New Age Magazine making a documentary about female artists playing festivals. What does it mean for you to be playing Glastonbury, out of all festivals, as a female DJ? Glastonbury, to me, has always been the ultimate festival, and arguably the best festival in the world. The anticipation behind it, the fact that I’d never been able to get a ticket before I played last year. It means a lot to play there. Last year I didn’t feel like a minority. I think the crowd tends to be a lot more evenly split (rather than certain other UK festivals where the crowd is full of shirtless boys). Also, I do feel like as a woman, especially a queer woman, playing any festival can feel like I’ve been added to a lineup as an afterthought to diversify it. I can’t help feeling like a ‘quota-filling’ act sometimes. I can say though that the times I have played at Glasto I haven’t ever felt like that. I feel like I’ve been booked for my music, rather than to tick a box. That really is down to the promoters running the stages though. And what do you think of the Glastonbury line-up this year and who are you most looking forward to seeing? The lineup is always so chocka it’s hard to pick faves, but some highlights for me are Charli XCX on Friday night (obsessed with her new album brat), Little Simz and Olivia Dean on the Pyramid stage, Jamie xx in the Woodsies, and acid house legends Orbital. One quick final question! When you’re not performing, where are you most likely to be found at Glastonbury? Through the day, sat at one of the main stages eating good food, drinking a pint. In the evenings, somewhere sketchy in the SE corner. Making mates with strangers. View this post on Instagram A post shared by Meg Ward (@meggyward)