Ones to Watch: All Points East 2026
Ones to Watch: All Points East 2026 Always one for the books, All Points East returns to Victoria Park for a run of diverse shows covering everything from black metal to Y2K pop. Here’s our top pick of who you should see each day. By Caitlin Taylor 15 June 2026 Friday 21st August – Jorja Smith + Tems Kicking things off is a joint headline between beloved British singer Jorja Smith and Nigerian superstar Tems. Joining them are some of the brightest names in R&B, like Wesley Joseph, DESTIN CONRAD and Sekou to name a few. TNAM Recommends – Bellah With a COLORS show that has amassed over 1 million views and a opening slot for Tems under her belt, Bellah is set up to be the next big name in R&B. She’s also previously collaborated with DESTIN CONRAD, so maybe we should expect a surprise duet on the day…? One can only hope. Saturday 22nd August – Lorde It’s no suprise this date has already sold-out – how could it not with a headline set from Lorde? Featuring some of the best artists of the moment, from Ear to Erika de Casier to Ninajirachi to Oklou, you’d be stupid not to arrive as soon as doors open. TNAM Recommends – ML Buch Hailing from Copenhagen and a mainstay of the scene there, it feels like ML Buch has been the name on everyones lips for a while now. With dreamy instrumentation complimented by her smooth voice, she’s a guaranteed crowdpleaser we’d be certain to catch. Sunday 23 August – Outbreak Fest feat. Deftones Considering everything going on in the world, it’s completely understandable if you’ve been feeling the need to scream and thrash around. Luckily for you, Outbreak 2026 seems like the perfect place to do so without looking like you’ve gone mad. With a lineup of high-energy performers including Idles, Amyl and the Sniffers and EsDeeKid, make sure you book off work on Monday. TNAM Recommends – Deafheaven They’ve been around for a while, but Deafheaven’s blackgaze sound is as alluring as ever. The bite of black metal meets the dreamy sensibilities of shoegaze in their 2025 album Lonely People With Power. Friday 28th August – Tyler, the Creator Pt. 1 It’s difficult to pick names out of this Friday lineup because it’s just that good. For example, we have Ravyn Lenae and fakemink – two artist who recently went viral for their vastly different but equally engaging music. But there’s also Mariah the Scientist, Rex Orange County, Ravyn Lenae, Turnstile… just check it out for yourself. TNAM Recommends – Sade Olutola We’re big fans of Sade – so much so that she played our stage at TGE last month. Her Y2K inspired pop sound is incredibly catchy and the perfect thing to sway along to in the summer sun this August. Saturday 29th August – Tyler, the Creator Pt. 2 So nice they let him play twice, Tyler’s second day headlining APE features legendary performers such as Ghostface Killah and Danny Brown, as personal favourites Dijon and Faye Webster, whos more mellow sound breaks up what could be a very intense weekend. TNAM Recommends – Dove Ellis Gentle Jeff Buckley-esque folk singer Dove Ellis has an evident talent for songwriting, and a voice to match. He’s definitely an artist on the rise, he’s spending the summer on a bit of a crazy international festival tour with APE right near the end. Sunday 30th August – Twenty One Pilots I confess, I have seen Twenty One Pilots live. It was many years ago in Birmingham during their Blurryface era. I’ve been informed much has changed since, with there being enough lore to fill a museum – which, crazily enough, there will be on-site at the festival. TNAM Recommends – Teen Jesus and the Jean Teasers A new discovery for me, Teen Jesus and the Jean Teasers (what a name) are an all female/non-binary rock band from Australia who post Heated Rivalry edits to their tracks on Instagram. The energy in their songs is infectious and I’m certain they’ll leave on Sunday with a slew of new fans. – Buy tickets here –
In Conversation with Modern Woman
IN CONVERSATION WITH MODERN WOMAN INTERVIEW By Caitlin Taylor 14 June 2026 The first time we caught Modern Woman was at The Lexington in a show packed to the absolute brim, full of heavy guitars and thundering vocals, despite frontwoman Sophie Harris confessing she was exhausted after travelling down from Manchester. A band on the rise, fresh off the release of their debut album Johnny’s Dreamworld and soon to be embarking on their first headline tour, we took our chance to ask them about their work so far as well as what’s to come. Your performances are full of energy, how does playing live make you feel? Do you prefer being on stage when compared to being in the studio? We love playing live. I think playing live is the best bit for all of us, especially when you play a new song to an audience. It feels nice to read a room. I like being in the studio a lot too, though, but it’s different. We’re almost ready to go into the studio to record the next one soon. When we recorded Johnny’s Dreamworld we tried to replicate the live setting as much as possible in the studio, I know Joel Burton the producer really wanted to capture that. So they intertwine in a lot of ways. What’s your favourite song to play live? I always enjoy playing Dashboard Mary, we always play it at the end of the show, it feels like it wraps the set up well. Do you have a favourite venue to play or visit? There are lots of venues we have loved playing – we always enjoy playing in Scotland and Ireland. We played a really fun show in Dublin and I love how much the crowd moves in Glasgow. Recently, we played at the Cabaret Sauvage in Paris with Ezra Furman – that was like an indoor circus tent – one of our favourite shows yet. You’ve said some of the songs on the record started as solo work, how did it feel to move into working with a band? It was how the songs were always meant to be played, I think, I started playing some of them solo because I hadn’t met the band yet, so it was a way to play and meet new people. But I always imagined and wanted most of them to have a full-band backing. When we started working as a band, it felt very natural, they all brought their own essential parts to the record, that’s how I knew I had met the right people to work with. Photo by Sal Redpath This album took over two years to record. Talk to us a bit about your songwriting and recording process, are you very collaborative in your approach? I usually write on guitar, bass or keys at home, just because that’s what I was used to doing – so when Modern Woman formed I had these songs I wanted to translate to a full band. The later song, Johnny’s Dreamworld, developed slightly differently though. The groove Juan and Adam formed under the chorus/ verse parts went on to become a key part of the song, and something we ended up changing the song structure to accommodate. I would say it’s the most important element of the song. Then David brings really essential atmospheric bits through tape, keys and strings. I would say everybody in the band is a very essential member and their input is necessary for Modern Woman to be what it is, they elevate the songs in a crucial way. As for recording, Joel Burton sort of joined in that mix as producer and saw the songs from the outside. He translated them really well from the live to the recorded, he is very talented. We did as much as we could live in the room, with as little overdubs as possible. Your album/single covers for Johnny’s Dreamworld have been really interesting. What was the thought process/story behind them? Thank you! The cover art was inspired by Justine Kurland. Sandra Ebert, the photographer, she’s very talented, captured it really well. We wanted to present the moment like a still from a film, and surreal/ almost dreamlike. I’ve always been interested in impulses that lie under my own life and others’ – that push/ pull – and I’ve always made a concerted effort to allow that to come to the surface through songwriting, live performance, and even the cover. As a literature graduate, did any books or authors have a direct influence on Johnny’s Dreamworld? Or are novels something that inspires your music generally? I don’t know if they had a direct influence, because in the moment I just wrote about what I was interested in. But I do think reading has always been very important to me, so I’d hope I’ve absorbed a lot through that, and that comes out when I do write. There are many writers I love, I know that Alice Oswald, Octavia E Butler, Cal Flyn, Sharon Olds were significant to me in different ways when writing lyrics. What’s a song everyone should have on their playlist? Nature Boy – Ella Fitzgerald, written by Eden Ahbez, but I love her performance. Are there any smaller or underground artists you think more people should be listening to? Prewn and Nina Winder-Lind. What’s coming up this year that you’re excited about? We’re really looking forward to playing Green Man again, and End of the Road, we love playing festivals. We’re doing a mini-tour at the end of this year in the UK – and it’s the first one we’ve done as a headline! {{ reviewsTotal }}{{ options.labels.singularReviewCountLabel }} {{ reviewsTotal }}{{ options.labels.pluralReviewCountLabel }} {{ options.labels.newReviewButton }} {{ userData.canReview.message }} You Might Also Like Recent Posts
“The Only Person You Should Be Trying To Impress Is Yourself” – In Conversation with Flooding
“THE ONLY PERSON YOU SHOULD BE TRYING TO IMPRESS IS YOURSELF” – IN CONVERSATION WITH FLOODING INTERVIEW By Eli Callingham 11 June 2026 Arriving in Brighton for The Great Escape as part of their first UK and European tour, Flooding delivered one of the festival’s most absorbing sets. Packing out the upstairs of The Prince Albert, the Kansas City trio moved effortlessly between moments of delicate restraint and glorious onslaught. Showcasing the dynamic songwriting that has quickly made them one of the most exciting names emerging from the American underground. Fresh from completing the UK and European leg of the tour before heading onwards to Canada and beyond, frontwoman, guitarist and songwriter Rose Brown took some time out to speak with us about artistic growth, musical envy, finding confidence on stage, and artists and experiences that continue to shape Flooding’s output. What has been inspiring you lately lyrically, emotionally, or even texturally? I get inspired by characters, fictional and real. I like to experiment with retelling stories of people who parts of me identify with. It brings out emotions you didn’t think existed inside of you and you can really surprise yourself. Looking back at the earliest version of Flooding, what parts of the band’s evolution would surprise you most? My stage presence now would shock 20 year old me. I used to wear ill-fitting boyish clothes to fit in with the poorly dressed men who dominate the music scene and had my guitar hitched up so high it was practically in my armpit to replicate how it feels to play guitar hunched over alone in my bedroom. And I could barely move out of the fear of playing the wrong note. Now I trust myself a lot more on stage, and I’ve found that wearing dresses and high heels makes me feel more like myself and in turn more confident (and playing my guitar strapped low as hell does too). Your output displays a real command over contrast and intensity, what’s a song/project/band that completely changed your understanding of dynamics? When we first started the band, I was a bit naive to the whole 90s quiet-loud thing. Our dynamics came from my bandmates giving me a fuzz and overdrive pedal and showing me exactly how to use them, not anything intentional on my part. But soon after we established our dynamics, I dove really deep into PJ Harvey who I saw myself in a lot and am very inspired by as an overall artist. You’ve spoken a lot about the Lawrence/Kansas City scene and how it feels to be a part of it. What do you think makes a local scene feel alive instead of just aesthetically or sonically cohesive? I think musical envy is a big creative driver. If you get jealous of your friends’ music and it pushes you creatively, that’s actually a good thing and you should be grateful that you’re involved in a scene with inspiring output. A lot of music scenes (local or not) don’t have that. What’s a genre or scene we’d be surprised you’d be into? Reggae As you’re currently touring the EU/UK are there any spaces you’ve played, will play or have visited that you love? Our favorite place on our EU/UK tour was Amsterdam. We stepped out of Amsterdam Central station and it felt like spawning in The Commons in Wizard 101. We would be very grateful if we were able to visit that city again. Similarly, are there any EU or UK artists you’ve seen or heard of that you’re excited about? After our UK tour together, we have come to the conclusion that Tummyache is the best band in the entire country, and massively underrated. Another case of musical envy that got me really excited about writing music again. What’s something you’ve learned through making music that you wish you understood earlier? The only person you should be trying to impress is yourself. {{ reviewsTotal }}{{ options.labels.singularReviewCountLabel }} {{ reviewsTotal }}{{ options.labels.pluralReviewCountLabel }} {{ options.labels.newReviewButton }} {{ userData.canReview.message }} You Might Also Like Recent Posts
The Best of May 2026
The Best of May 2026 TNAM Staff Top Tracks of the Month By Caitlin Taylor 8 June 2026 Whether you’ve been having fun in the sun or cowering in the shade, these are the songs you should’ve been listening to during this May heatwave. Listen to the full playlist to see all our favourite new releases, or carry on reading to hear about the best of the best you need to hear ASAP. RIP Magic – ‘Screwdark’ After gracing us with the brilliant 5Words earlier this year, RIPMagic are back with their new single Screwdark, another playful cross-genre track that you’ll be playing on repeat. They’re playing a show with their new label Section 1 on June 11th alongside fellow rising stars The Healing Power of Horses at Club Cheek, the venue currently en vogue since MOT started doing yard parties. For fans of: Sorry, LCD Soundsystem Pigeon – ‘Black James Dean My personal highlight from The Great Escape this year was Pigeon’s high energy performance at Charles Street Tap. A fully formed band from Margate made up of members all with extensive histories, their debut album OUTTANATIONAL is genuinely phenomenal. I would’ve loved to put the entire thing on here, but Black James Dean is a particular standout with a gorgeous music video. For fans of: Basa Basa, Universal Togetherness Band Tommy Barlow – ‘Earthkiller’ Drenched in brooding atmosphere, Earth Killer is Barlow’s debut as a recent signee to ‘Young’. The Cambridge-born, London-based singer, songwriter and producer offers a look into a vulnerable moment, the twilight of a relationship breakdown with an introspective and immersive sound world (coined Farm Grunge) led by distinctive, earnest bass voice. After a festival run he is still yet to make an appearance at EOTR 2026 and as support for Model/Actriz at the ICA. An engrossing live presence, we eagerly await another release! [Words by Eli Callingham] For fans of: Chanel Beads, Rainy Miller Opal Mag – ‘Young Forever’ Dreamy London born but Brighton based singer Opal Mag dropped her new EP Goodbye Lavender this month, a beautiful collection of tracks with a focus on lyricism. Young Forever is a nostalgic bedroom pop tune that’ll have you thinking about teenage summers, iPods and converse. For fans of: Cocteau Twins, Mazzy Star, Eaves Wilder Tummyache – ‘Interstate Dr’ Tummyache have been providing us with amazing grungy tracks since 2018 and recently came back onto our radars after they were mentioned by Flooding during our interview with them (coming soon!). It’s a controlled release, full of emotion that remains restrained yet no less impactful. It’s the first taste of their new album, with the second single dropping June 26th at a no phones release party at the Sebright Arms. For fans of: Sonic Youth, Ain’t
Video Interview: Chatting Music with SILVERWINGKILLER
Video Interview: Chatting Music with SILVERWINGKILLER At The Great Escape 2026 spoke with James and Yushang the electronic-punk duo SILVERWINGKILLER fighting hard in the music war They talked us through their releases, past and future, and recommended an eclectic assortment of artists. Watch the interview then listen to everything they mentioned on Spotify here.
Video Interview: Chatting Music with MORN
Video Interview: Chatting Music with MORN Alternative,Post Punk,Rock While at The Great Escape, we sat down with Oli and Noah from MORN to ask them about their favourite tracks. They provided a long list of recommendations from established artists who influenced their sound like Battles, to contemporaries such as The Scuttlers or Tooth. Watch the interview then listen to everything they mentioned on Spotify here.
Review: Cross The Tracks 2026
REVIEW – CROSS THE TRACKS 2026 Another year, another incredible edition of Cross the Tracks [2027 Ticket Link] By Caitlin Taylor 28 May 2026 It was over 30 degrees on the morning of Sunday 24th May as we prepared ourselves for a long day of standing in the sun in Brockwell Park. Cross the Tracks is one of the first festivals I went to after moving to London, and still one of the closest to me. I often recommend it as a good ‘starter’ festival as no matter who’s playing you’ll have a good time, and this year was no different. The first act of the day was Charlotte Dowsson on the Main Stage. Dressed like a kind of mermaid princess (a big compliment), she took to the stage with grace as she gazed over the gathering crowd. Her voice is soft and sultry, drawing an audience that she later shared with us was much larger than she’d expected due to how early her slot was but was clearly a testament to her talent. Ama Louise Next was Ama Louise, an RnB singer with a clear adoration for the genre. Despite performing in the incredibly hot D-Railed tent, she blessed her audience with beautiful vocals both when it came to her own songs as well as her cover of the much beloved Jazmine Sullivan track ‘Bust Your Windows’ which saw multiple people sprint into the tent from outside. Lady Wray Lady Wray boasts a decades long career and has definitely learned how to entertain an audience. Having previously played in 2024, she’s a Cross the Tracks veteran who provided a performance full of joy. Not at all an up and coming artist, War are the band who brought us long-lasting hits such as ‘Lowrider’ and ‘Why Can’t We Be Friends?’, songs that had the hundreds of people packed in to see them singing and dancing along. It was one of those sets that feels quintessentially ‘Cross the Tracks’ – full of warm nostalgia that triggers a strong sense of community. War I hadn’t heard of Australian Don West before arriving (my fault, as he has over 3 million monthly listeners), but I seemed very much in the minority on the day. People ran to the Terminal stage to get a good view as he strutted around in a tight vest top and sunglasses, followed closely by a cameraman. I first caught Obongjayar at We Out Here in 2024 where he made it clear that he’s an excellent performer. Shirtless and with muscles flexing, he paraded around the stage well aware he had the audience in the palm of his hand. He’s truly electric and in future years is a definite contender for headliner. Joy Crookes South London’s finest, Joy Crookes has been a TNAM team favourite for many years. Playing a string of unreleased tracks as well as some old favourites (the entire crowd seemed to sing along to ‘When You Were Mine’), her voice was warm and welcoming to the sun-stroked crowd. Playing a mix of her new album and major hits, Little Simz took to the stage for a blazing finale. There was a heavy pro-Arsenal energy in the air the entire day, and her set was no different as she revealed a football shirt under her jacket. At one point she brought back out Obongjayar and the two danced around each other, their styles blending beautifully. An excellent sendoff. There’s no doubt we’ll be in attendance next year. You Might Also Like Recent Posts You Might Also Like Recent Posts
The Great Escape Festival 2026 Highlights
THE GREAT ESCAPE 2026 HIGHLIGHTS We could all confidently say we didn’t see one bad act, a feat for a festival booking hundreds of artists [2027 Ticket Sign up] By Caitlin Taylor & Eli Callingham 26 May 2026 We started Wednesday with a killer trio at Green Door Store beginning with grungy Americans Sword II who packed out the room and told the crowd we were free to ‘gob’ at them, as they’d heard that was something Brits do. Sharing the main vocals, each member was able to masterfully hold our attention and as a result, they were a main highlight of the day. Next were Cambridgeshire duo The Healing Power of Horses who’d recently released ‘I wait, I sink’, a standout debut streaming single. Their currently anonymous frontwoman slinked around the stage in an effortlessly cool display from the mysterious band. Performances like theirs are why people come to TGE, to see something fresh you can gush about to your friends or coworkers after. Closing out our time at GDS was Pollyfromthedirt, the masked artist proudly representing his hometown of Darlington. Moving through a mixed set of his production and guitar led songs, he used two mics to perform both vocal textures and lead vocals. “This one’s for the mum and dads in the room” he quipped, before launching into the bombastic introduction of ‘There’s no such thing as england’. Finally, we moved across the road to the Prince Albert where we managed to squeeze in despite it being full capacity to catch Flooding, a rock band (in the midwest 90’s underground sense) from Lawrence/Kansas City, known for their dynamic songs. Leaning into moments of fragility and strident onslaught, both heard in vocalist/songwriter Rose Brown’s vocal range and the intricate arrangements. We left the venue with whiplash and ringing ears. Would recommend. Big Long Sun at Concorde 2 On Thursday we trekked down the coastline to the BBC Introducing stage at Concorde 2, a much larger venue than you typically encounter at TGE. Luckily, the band we were about to see was the Brighton 8-piece big long sun, a band we at TNAM have a fun history with, who were more than capable of filling the open space with their belting vocals. Creator and frontman Jamie Broughton at one point called out “we are big long sun and we make music for big corporations”, likely an acknowledgement of the Delegate heavy crowd. Either way, it was an incredibly impressive show and solidified them (at least in our minds) as one of the best new bands around. Afterwards we made a mad dash to Charles Street Tap where we were told the crowd was beginning to swell. We were keen not to miss the slightly strange but enticing double bill of Max Winter and Pigeon and managed to slip in through the doors before they were closed behind us. Technical issues unfortunately impacted Max Winter’s set but he provided nonetheless, performing versions of his collaborations from his recently released mixtape ‘like the season!’ including ‘Just’, one of our favourite tracks from the last few months. This rendition was ferocious, a gut punch for a subdued older crowd. He was joined by a violinist, drummer and by multi-instrumentalist Christos Stylianides who played the guitar, trumpet and also contributed shrill screams. Qualified in composition, Winter has curated a talented live band and demonstrates a real command over texture and live electronic manipulation. It was a heartfelt performance, accentuated by his parents’ presence in the crowd. Pigeon were a personal favourite of the entire festival, as evidenced by my notes of the show on the day just being ‘insane’. There exists a certain anti-Delegate sentiment amongst some artists and festival goers at TGE due to a few people’s habit of standing right at the front and refusing to move their bodies other than to occasionally reach for their phone to send a text. But miraculously, any notion of that behaviour was squashed as soon as Falle Nioke opened his mouth. They make the kind of music that projects you from a dingy Brighton attic into an open sunny field in the early afternoon. ‘Miami’ is already our song of the Summer. Pigeon at Charles Street Tap We closed out at Patterns with The Kitchen Sink Band who’s set was cut short due to a genuine kitchen sink related incident. It was a shame as before finishing they played an impressive extended version of ‘Human Can Opener’ – currently unreleased. We recently interviewed electronic duo Lifeloose who’ve only just released their first single yet are building a reputation for being brilliant live performers. Acting more like they were headlining an East London nightclub than a gig space above a Brighton pub, they managed to bring the energy for their Friday dinnertime slot before running off back to the capital city for another string of shows. Performing at Dust by the seafront was Tommy Barlow, who has cemented himself in the London experimental circuit with his eclectic influences, command over different styles, and his deep guttural voice. A flooring rendition of latest single ‘Earth Killer’ showcased vocals that silenced the room. Ending on an untitled track, his intensity ramped up, flailing his guitar around hitting the headstock on the ceiling, ending the set with a wry smile and blistering feedback. An outlier in an otherwise dance-focused day. Tommy Barlow at Dust We migrated back to the Folklore Rooms to see the duo KiosK, champions of the ‘Leedstronica’ sound. The dense crowd was impenetrable, swaying to the industrial roar of bass guitar and pulsating bite of synth sequences commanded by vocalist Bella’s despondent voice. After adjourning for some fresh air we made our way back upstairs to catch ashnymph performing as a duo (joined on the drums by Fin Abbo of Opus Kink) in a make-shift setup with two bar stools holding his synthesisers and a sea of pedals that lay flickering at his feet. What followed was a set of driving beats, at times motorik, modulated vocals
Ones to Watch: Cross the Tracks 2026
Ones to Watch: Cross the Tracks 2026 The end of May marks another edition of the Brockwell Park favourite. Here’s who we think you shouldn’t miss: By Caitlin Taylor 6 May 2026 BEL COBAIN We’ve been writing about Bel since the start of TNAM. She’s a consistent talent who continues to put out beautiful music year by year, as evidenced by her new EP ‘Kizzy‘. Listen to – ‘Am I Dumb’ & ‘Fucking City’ CHARLOTTE DOWSSON Her new single ‘Siren Song’ is fittingly titled, Charlotte Dowsson has the kind of voice that could lure lost souls out to sea. Her alluring style of R&B should be able to entice a crowd later this month. Listen to – ‘Siren Song’ & ‘Come to Me’ DEMAE Demae’s smooth voice is clearly influenced by classic R&B, but with an innovative edge demonstrated through creative instrumentation. Listen to – ‘Mystical Approach’ & ‘Don’t Play the Fool’ SHOLTO Sholto appears to do a bit of everything as a drummer/instrumentalist/composer/producer who’s influences stem from jazz and soul to Krautrock. His recent collaboration with Phoebe Coco is a must-listen. Listen to – ‘Everything is Stolen Away’ & ‘Electric Soup’ Find our review of the previous Cross the Tracks here – Buy tickets here –
Ones to Watch: The Great Escape 2026
Ones to Watch: The Great Escape 2026 THE festival for new music returns to Brighton later this month. Here’s who we’ll be checking out: By Caitlin Taylor 5 May 2026 KEYAH/BLU KEYAH/BLU has provided multiple hits over the years but after going on a break, she’s now returned with a more mature and complex sound. For fans of – Saya Gray, Sade Olutola Playing – 3:30pm Saturday @ Daltons LAUREN DUFFUS As both an incredibly talented singer and producer, Lauren Duffus is a must-see this year. She knows how to use her voice as an instrument, regularly using reverb to create haunting soundscapes. For fans of – james K, Sudan Archives Playing – 8:15pm Thursday @ Quarters POLLYFROMTHEDIRT Masked singer Pollyfromthedirt tells his version of the British experience through confessional lyrics and naive noise-making. For fans of – Worldpeace DMT, Truthpaste Playing – 8:15 Wednesday @ Green Door Store & 10:15pm Friday @ Prince Albert SILVERWINGKILLER Full of infectious energy and playful beats, this Manchester based duo deserve all the attention they’ve been getting. For fans of – Machine Girl, Max Winter Playing – 1:30am Thursday @ Patterns Downstairs & 8:15pm Friday @ Concorde 2 BIG LONG SUN We love big long sun over here at TNAM, and you can read about one crazy night we had with them here. But they genuinely are a very special band full of creative instrumentation who definitely know how to put on a show. For fans of – Ivy Knight, Blood Wizard Playing – 7:15pm Thursday @ Concorde 2 Also, come to our stage on Saturday at Horatios! View this post on Instagram A post shared by Still Listening Magazine (@stilllisteningmagazine) Find our review of the previous TGE here – Buy tickets here –